Review: The Māori Sidesteps – a satirical blend of music and mischief

Erin Harrington reviews The Māori Sidesteps at The Court Theatre, Thursday 22 September 2022. The Māori Sidesteps brings us to a party where everyone’s invited. This big-hearted production, presented at The Court Theatre, has been a victim of Covid rescheduling, but it’s been worth waiting for. The five performers – Erroll Anderson, Cohen Holloway, Regan… Continue reading Review: The Māori Sidesteps – a satirical blend of music and mischief

Review: Back to Square One? – meaningful storytelling about connection (and cake)

Erin Harrington reviews Back to Square One?, performed and directed by Anders Falstie-Jensen for The Rebel Alliance Theatre Company, at Little Andromeda, Thursday 25 August 2022. Truly lo-fi theatre is criminally underrated. The best works are magical and impactful, but you really have to know what you're doing to conjure something from nothing. Anders Falstie-Jensen’s… Continue reading Review: Back to Square One? – meaningful storytelling about connection (and cake)

Review: Flagons and Foxtrots – fun and frothy Kiwi nostalgia

Erin Harrington reviews Flagons and Foxtrots, written by Alison Quigan and Ross Gumbley, and directed by Kathleen Burns, at The Court Theatre, Monday 15 August, 2022. Flagons and Foxtrots is a concentrated comic dose of Kiwi nostalgia that revisits the dance halls – and the gender roles – of the 1960s. The play premiered in… Continue reading Review: Flagons and Foxtrots – fun and frothy Kiwi nostalgia

Review: My NIGHTMARE Wedding – a dream immersive comedy

Erin Harrington reviews My NIGHTMARE Wedding by Play Space Productions at The Quarters at Riccarton House and Bush, Monday 18 July 2022. In Play Space Productions’ interactive show My Nightmare Wedding, we’re at the historic Riccarton House for the dream wedding of sweethearts Abigail and Charlie, and anything that can go wrong is honestly going… Continue reading Review: My NIGHTMARE Wedding – a dream immersive comedy

Review: Shift Your Paradigm (No Chairs Required) – a high-energy deconstruction of a scam

Erin Harrington reviews Shift Your Paradigm (No Chairs Required) at Little Andromeda, Thursday 14 July, 2022. Shift Your Paradigm (No Chairs Required) brings us into the shady world of multi-level marketing. The schtick of this high-energy black comedy, created by Wellington-based artists David Bowers-Mason and Mitchell Botting, is that we are the in-person audience at… Continue reading Review: Shift Your Paradigm (No Chairs Required) – a high-energy deconstruction of a scam

Review: Nepal – an intimate adventure with a very big heart

Erin Harrington reviews Nepal, devised and performed by Christopher Alan Moore, at Little Andromeda, Saturday 9 July 2022. As we come in to see the fantastic one-man show Nepal, actor Christopher Alan Moore is on-stage, sitting on an ordinary chair in a long-sleeved tee and rugby shorts, noodling around on his guitar. Guitar down, a… Continue reading Review: Nepal – an intimate adventure with a very big heart

Review: Matariki at The Arts Centre – Ad Parnassum -Purapurawhetū, th’Orchard, and Pōhutukawa

Erin Harrington reviews Ad Parnassum - Purapurawhetū, and Naomi van den Broek reviews Th’Orchard Dreamers Chapter 2 and Pōhutukawa, all performed at The Arts Centre Te Matatiki Toi Ora as part of their Matariki programming, 8 June - 9 July 2022. “Ngā toi is for everyone”, notes the introduction to The Arts Centre Te Matatiki… Continue reading Review: Matariki at The Arts Centre – Ad Parnassum -Purapurawhetū, th’Orchard, and Pōhutukawa

Review: As of 34 – Jason Pemberton and Friends – virtue-pop in the temple of friendship

Claudia Jardine reviews As of 34, a night of music from Jason Pemberton and Friends, at The Loons, Lyttelton, Saturday 4 June, 2022. It’s a bright autumn day in Ōtautahi, and my plans for the long weekend are turning out as I might have suspected they would. I make it to Muscle & Bone at… Continue reading Review: As of 34 – Jason Pemberton and Friends – virtue-pop in the temple of friendship

Review: The Girl on the Train – innovative, immersive, but empty

Erin Harrington reviews The Court Theatre's production of The Girl on the Train, adapted by Rachel Wagstaff and Duncan Abel from Paula Hawkins' novel, directed by Holly Chappell, Friday 21 May, 2022. The Court Theatre has been as much a victim of the pandemic as any other company that stages big shows and relies on… Continue reading Review: The Girl on the Train – innovative, immersive, but empty

Review: White Rabbit, Red Rabbit – a one-of-a-kind absurdist experiment

Erin Harrington reviews White Rabbit, Red Rabbit, presented by JMO Theatrics, at Little Andromeda, Wednesday 13 April 2022. It is hard to write about White Rabbit, Red Rabbit, presented at Little Andromeda by JMO Theatrics, as anything said could stray into a violation of its central conceit. What we do know, and can say: Iranian… Continue reading Review: White Rabbit, Red Rabbit – a one-of-a-kind absurdist experiment