Review: Back to Square One? – meaningful storytelling about connection (and cake)

Erin Harrington reviews Back to Square One?, performed and directed by Anders Falstie-Jensen for The Rebel Alliance Theatre Company, at Little Andromeda, Thursday 25 August 2022. Truly lo-fi theatre is criminally underrated. The best works are magical and impactful, but you really have to know what you're doing to conjure something from nothing. Anders Falstie-Jensen’s… Continue reading Review: Back to Square One? – meaningful storytelling about connection (and cake)

Review: Shift Your Paradigm (No Chairs Required) – a high-energy deconstruction of a scam

Erin Harrington reviews Shift Your Paradigm (No Chairs Required) at Little Andromeda, Thursday 14 July, 2022. Shift Your Paradigm (No Chairs Required) brings us into the shady world of multi-level marketing. The schtick of this high-energy black comedy, created by Wellington-based artists David Bowers-Mason and Mitchell Botting, is that we are the in-person audience at… Continue reading Review: Shift Your Paradigm (No Chairs Required) – a high-energy deconstruction of a scam

Review: Nepal – an intimate adventure with a very big heart

Erin Harrington reviews Nepal, devised and performed by Christopher Alan Moore, at Little Andromeda, Saturday 9 July 2022. As we come in to see the fantastic one-man show Nepal, actor Christopher Alan Moore is on-stage, sitting on an ordinary chair in a long-sleeved tee and rugby shorts, noodling around on his guitar. Guitar down, a… Continue reading Review: Nepal – an intimate adventure with a very big heart

Review: Hysterical – personal, political, poetic

Erin Harrington reviews Hysterical, by Carrie Rudzinksi and Olivia Hall, at Little Andromeda, Thursday 12 May 2022. Hysterical is heart-on-its-sleeve confessional storytelling that marries the personal and intimate to the political and polemical. The show is the second full-length show created by Auckland-based performance poets Olivia Hall (a Kiwi) and Carrie Rudzinski (an American), hardcore… Continue reading Review: Hysterical – personal, political, poetic

Performance, connectivity and care: Tīwai’s Te Pūtake and White Rabbit, Red Rabbit

Erin Harrington writes about dance collective Tīwai's research showing of new work Te Pūtake at Movement Art Practice, 29 April 2022, and returns to JMO Theatrics' White Rabbit, Red Rabbit, which ran at Little Andromeda from 13-17 April, 2022. At the beginning of contemporary dance work Te Pūtake, from collective Tīwai (Rebecca Johnson, Kereana Mosen… Continue reading Performance, connectivity and care: Tīwai’s Te Pūtake and White Rabbit, Red Rabbit

Review: White Rabbit, Red Rabbit – a one-of-a-kind absurdist experiment

Erin Harrington reviews White Rabbit, Red Rabbit, presented by JMO Theatrics, at Little Andromeda, Wednesday 13 April 2022. It is hard to write about White Rabbit, Red Rabbit, presented at Little Andromeda by JMO Theatrics, as anything said could stray into a violation of its central conceit. What we do know, and can say: Iranian… Continue reading Review: White Rabbit, Red Rabbit – a one-of-a-kind absurdist experiment

Review: Drop Dead Gorgeous! A Drag Murder Miss-tery – sequins, shade, and big chaos energy

Erin Harrington reviews Drop Dead Gorgeous! A Drag Murder Miss-tery, presented by Les Femmes at Little Andromeda, 24 March 2022. The smell of poisoned lip gloss is in the air at the debut of Drop Dead Gorgeous! A Drag Murder Miss-tery. The show features Auckland-based drag cabaret act Les Femmes - Miss Manage (Jeremy Hinman),… Continue reading Review: Drop Dead Gorgeous! A Drag Murder Miss-tery – sequins, shade, and big chaos energy

Review: Daybreak Estate – last drinks at the end of the world

Erin Harrington reviews Daybreak Estate, presented by All You Can Eat Productions at Little Andromeda, 17 March 2022. Choreographer Jessie McCall’s hour-long work Daybreak Estate is a wickedly funny, provocative and ultimately profound piece of dance theatre. It invites us to a bougie influencer retreat at the end of the world, where the only things… Continue reading Review: Daybreak Estate – last drinks at the end of the world

Review: Thief! – charismatic personality, magnetic storytelling

Ruth Agnew reviews Thief!, by Kelly Hocking, at Little Andromeda, Friday 12 November. “I always forget how early people turn up for garage sales. Like, you’re really early!” Writer/performer Kelly Hocking opens her semi-quasi-pseudo-autobiographical solo show with a yard sale and a sardonic drawl. Her life story is told through comedic re-enactments, snippets of iconic,… Continue reading Review: Thief! – charismatic personality, magnetic storytelling

Review: Dan Bain: Variations on the Same Joke – acerbic comedy about jokes (about jokes)

Erin Harrington reviews Dan Bain: Variations on the Same Joke, at Little Andromeda, 29 July 2021. Earlier this week, for very serious professional reasons, I was reading responses to the way that the final scenes of the finale of Seinfeld in 1998 (a very topical reference) gestured to existential philosopher Jean-Paul Sartre’s play “No Exit”.… Continue reading Review: Dan Bain: Variations on the Same Joke – acerbic comedy about jokes (about jokes)