Arts and culture in Ōtautahi Christchurch
Erin Harrington reviews Teenage Dick, by Mike Lew, directed by Pelenakeke Brown, at the Court Theatre, Saturday 12 September 2026. Richard III is one of Shakespeare’s great villains: a “deformed, unfinish’d” noble “not shaped for sportive tricks” who decides that if he can’t be the face then he’ll be the heel, and damn anyone who… Continue reading Review: Teenage Dick – Gen Z zingers meet dirty politics as Richard III goes to high school
Jordon Jones reviews And Then There Were None, by Agatha Christie, directed by Rachel O'Brien Hamilton and Ben Moore, presented by the University of Canterbury Drama Society, at the Ngaio Marsh Theatre, Wednesday 9 September 2026. And Then There Were None is one of Agatha Christie's most enduring mysteries, sitting right up there with Murder… Continue reading Review: And Then There Were None – a creative take on a classic play
Erin Harrington reviews The Wolves, by Sarah DeLappe, directed by Lizzie Tollemache, and Alone It Stands, by John Breen, directed by David Ladderman, presented by the Court Theatre Youth Company in the Wakefield Family Front Room, The Court Theatre, Saturday 29 and Sunday 30 August 2026. One of the great pleasures of watching youth theatre… Continue reading Review: The Wolves and Alone It Stands – creative teamwork makes for impressive youth performances
Charlotte Thornton reviews Redemption, presented by Ginge and Minge at Little Andromeda, Thursday 20 August 2026. Behind every great idea are a dozen bad ones. Discarding these bad ideas, known as ‘killing your darlings,’ is a painful but important part of the artistic process. They get locked away in the Notes app alongside half-finished to-do… Continue reading Review: Redemption – bad ideas turned chaotic good
Daniel Allan reviews Faust on Trial, by Josiah Morgan, Stella Cheersmith and Jonty Coulson, at Cloisters Studio, Te Matatiki Toi Ora Christchurch Arts Centre, Saturday 15 August 2026. Faust on Trial was initially developed as part of Hagley Theatre School’s theatre creation course last year - see the review of that iteration here. Word of… Continue reading Review: Faust on Trial – a restaged cage match offers thought-provoking indie theatre (and no winners)
Charlotte Thornton reviews Judy's Encore - The Return of a Star, performed by Ali Harper, produced by Ben McDonald, at the Court Theatre, Tuesday 11 August 2026. Let’s follow the lead of Judy’s Encore and begin at the end. The show concludes with a voiceover calling Judy Garland “the eternal star” – this is actually… Continue reading Review: Judy’s Encore – The Return of a Star – a star is reborn in this well-made tribute
Charlotte Thornton reviews Defending the Caveman, written by Rob Becker, directed by Ross McKellar, produced by Ben McDonald and Theater Mogul, at the Court Theatre, Tuesday 11 August 2026. Defending the Caveman is the longest-running solo play in Broadway history. It was written by American comedian Rob Becker in the era of Men Are From… Continue reading Review: Defending the Caveman – a charming performance of a dated show
Charlotte Thornton reviews Folk Tales, presented by Rollicking Entertainment for the Lyttelton Arts Festival, at the Lyttelton Arts Factory, Sunday 19 July 2026. Let’s talk about the apocalypse. It’s hard to say if we’re properly in it now, or still dodging it Matrix-style, but this year has seen a distinct mood shift. Blues and folk… Continue reading Review: Folk Tales – a much-needed cuddle in dark times
Ruth Agnew reviews At the Wake, by Victor Rodger, directed by Tanya Muagututi'a, at the Court Theatre, Satrday 18 July 2026. Recently a friend told me we have reached the age of funerals; we have moved through the era of every weekend being crammed with 21st parties, weddings, christenings, and reached a time in our… Continue reading Review: At the Wake – A poignant account of love, loss and connection
Jordon Jones reviews Shakespeare's Greatest Comedy, by Joe Bennett, presented at Lyttelton Arts Factory as part of the Lyttelton Arts Festival, Sunday 5 July 2026. Thanks to the Lyttelton Arts Festival, which kicked off last week, I had the pleasure of going along to see local legend Joe Bennett discuss the Bard in Shakespeare's Greatest… Continue reading Review: Shakespeare’s Greatest Comedy – wit, energy, and infectious enthusiasm
Flat City Field Notes 