Review: Wahine Mātātoa: The (Mostly) True Story of Erihāpeti Pātahi – we see ourselves, properly

Juanita Hepi reflects on Wahine Mātātoa: The (Mostly) True Story of Erihāpeti Pātahi, written by Cindy Diver, directed by Kim Garrett, with musical direction by Ariana Tikao, at the Court Theatre, Saturday 18 April 2026. Six weeks ago, my sister, Jeni Leigh Walker passed away. She was 48. Three weeks later, the writer of this… Continue reading Review: Wahine Mātātoa: The (Mostly) True Story of Erihāpeti Pātahi – we see ourselves, properly

Wrap up: Dunedin Fringe is a chaotic and ambitious festival with incredible DIY energy

Dunedin Fringe Festivals poster repeated four times in different colourways. The world FRINGE is broken up by a collage of images from different shows

Roving FCFN reporter John Armstrong heads south and reflects on some highlights from the Dunedin Fringe Festival, which ran from 12 - 22 March 2026. Dunedin Fringe has sadly come to an end. Yesterday marked the end of an incredible eleven days of stand-up, theatre, sketch comedy and live music, with morethan ninety shows all… Continue reading Wrap up: Dunedin Fringe is a chaotic and ambitious festival with incredible DIY energy

Behind the Curtain at Clown Club (or How I Learned to Stop Worrying and Love to Bomb)

Naomi van den Broek on learning to be a clown under the tutelage of comedian Tessa Waters - including the work, joy and importance of creating feminist communities in comedy and performing arts. Sometime in 2023 I was added to a Facebook group with the name Feminist Clown Posse (FCP) and an amazing profile pic… Continue reading Behind the Curtain at Clown Club (or How I Learned to Stop Worrying and Love to Bomb)

Review: Off Centre – Requiem, Much Ado About Nothing, and being a city

Erin Harrington pokes around at the Off Centre festival, including performances of Requiem and Much Ado About Nothing, at The Arts Centre Te Matatiki Toi Ora, Friday 3 - Sunday 5 March. For other coverage see a review of A Baby Called Sovereignty here. When The Arts Centre Te Matatiki Toi Ora was severely impacted… Continue reading Review: Off Centre – Requiem, Much Ado About Nothing, and being a city

Starlings, Dead Authors, and Sexy Polliwogs: the WORD Foundation Pop-Up Festival

Erin Harrington writes about the Foundation Pop-Up Festival (AKA the Not-Quite-New Regent Street Pop-Up Festival) , which ran from 5-11:30pm at Foundation Cafe, Tūranga / Christchurch Central Library, on Saturday 13 November, the last night of the WORD Christchurch festival weekend. The New Regent Street Pop-Up Festival has been a key feature of the last… Continue reading Starlings, Dead Authors, and Sexy Polliwogs: the WORD Foundation Pop-Up Festival

Taking Up Space: A reflection on The F-Word, MAINMAN and Feminist Yarns with Kathleen Burns

Erin Harrington reflects on issues of space and autonomy in three gender-focussed shows that played over two nights at Little Andromeda: feminist cabaret The F-Word by Tatjana T on Friday 26 March, and Two Productions' MAINMAIN, and the panel show / podcast Feminist Yarns with Kathleen Burns on Saturday 27 March 2021. About two thirds… Continue reading Taking Up Space: A reflection on The F-Word, MAINMAN and Feminist Yarns with Kathleen Burns