Observations from the ground.
Flat City Field Notes offers reviews and essays about theatre, arts and culture in and around Ōtautahi Christchurch, Aotearoa New Zealand.
Latest Posts
Review: Stoned N Unfiltered: Pop Divas Unleashed – passionate peformers serve one of the best nights of the year so far
Hannah Harte reviews Stoned N Unfiltered: Pop Divas Unleashed, at Little Andromeda, Friday 12 June 2026. If you want to radiate joy for a few days, go to a drag show. You’ll encounter the most vocal, enthusiastic audiences that an often painfully stoic Ōtautahi crowd is capable of producing, loudly supporting what will always be…
Review: Friends to the End – not even the apocalypse can bust up this delightful bromance
Erin Harrington reviews Friends to the End, created and performed by Wiremu Tuhiwai and Brendon Bennetts with Criss Grueber, at Little Andromeda, Friday 12 June 2026. The award-winning improvised theatre show Friends to the End feels like it needs a graphic novel rather than a written review. There’d be a lot of pow and thwop…
Review: Paul Ego: Stick – appealing, breezy comedy from the dad behind the stick
Charlotte Thornton reviews Paul Ego: Stick, at Little Andromeda, Thursday 11 June 2026. You’ve been hearing Paul Ego’s voice for 17 years. Since 2009 he’s been a regular team captain on 7 Days and the voice of Stickman for PAK’nSAVE, bridging a gap between the underfunded arts field and the lucrative advertising industry that most…
Review: Ravel, Morello, Mozart – an infectiously upbeat performance
Nick Harte reviews Ravel, Morello, Mozart, presented by the Christchurch Symphony Orchestra as part of the Lamb & Hayward Curator’s Series, featuring Maurince Ravel’s Le tombeau de Couperin, Nicola Morello’s Bass Trombone Concerto No. 1 and W A Mozart’s Symphony No. 29, conducted by Leonard Weiss, featuring Pablo Ruiz Henao on Bass Trombone, at the…
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