Observations from the ground.

Flat City Field Notes is a blog offering reviews, essays and criticism about arts and culture in and around Ōtautahi Christchurch, Aotearoa New Zealand.

Latest Posts

Review: Hysterical – personal, political, poetic

Erin Harrington reviews Hysterical, by Carrie Rudzinksi and Olivia Hall, at Little Andromeda, Thursday 12 May 2022. Hysterical is heart-on-its-sleeve confessional storytelling that marries the personal and intimate to the political and polemical. The show is the second full-length show created by Auckland-based performance poets Olivia Hall (a Kiwi) and Carrie Rudzinski (an American), hardcore… Continue reading Review: Hysterical – personal, political, poetic

Performance, connectivity and care: Tīwai’s Te Pūtake and White Rabbit, Red Rabbit

Erin Harrington writes about dance collective Tīwai’s research showing of new work Te Pūtake at Movement Art Practice, 29 April 2022, and returns to JMO Theatrics’ White Rabbit, Red Rabbit, which ran at Little Andromeda from 13-17 April, 2022. At the beginning of contemporary dance work Te Pūtake, from collective Tīwai (Rebecca Johnson, Kereana Mosen… Continue reading Performance, connectivity and care: Tīwai’s Te Pūtake and White Rabbit, Red Rabbit

Review: White Rabbit, Red Rabbit – a one-of-a-kind absurdist experiment

Erin Harrington reviews White Rabbit, Red Rabbit, presented by JMO Theatrics, at Little Andromeda, Wednesday 13 April 2022. It is hard to write about White Rabbit, Red Rabbit, presented at Little Andromeda by JMO Theatrics, as anything said could stray into a violation of its central conceit. What we do know, and can say: Iranian… Continue reading Review: White Rabbit, Red Rabbit – a one-of-a-kind absurdist experiment

Review: The Barden Party – magical al fresco Shakespeare in a garden near you

Erin Harrington reviews The Barden Party‘s touring production of A Midsummer Night’s Dream, performed at a private residence in Swannanoa, North Canterbury, 2 April 2022. A Midsummer Night’s Dream is one of those rare works that is pretty much smashproof. It doesn’t matter if it’s performed by intermediate school students or the Royal Shakespeare Company,… Continue reading Review: The Barden Party – magical al fresco Shakespeare in a garden near you

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