Observations from the ground.
Flat City Field Notes offers reviews and essays about theatre, arts and culture in and around Ōtautahi Christchurch, Aotearoa New Zealand.
Latest Posts
Review: Animal Farm – strong barnyard performances brighten an ambitious production
Ruth Agnew reviews Animal Farm, presented by Canterbury Repertory Theatre, adapted for the stage by Tatty Hennessy from the novella by George Orwell, directed by Dimitri Gibara, at the Elmwood Auditorium, Wednesday 20 May 2026. What better way to escape the rising tide of corruption in a sea of political power play flooding the world…
Review: Heathers: The Musical – a powerhouse production that’s the most fun you can have with a toxic ex
Charlotte Thornton reviews Heathers: The Musical, produced by GMG productions, music, book and lyrics by Kevin Murphy and Laurence O’Keefe, directed by Andy Fickman, choreographed by Gary Lloyd, with musical direction from Martine Wengrow, at the James Hay Theatre, Friday 15 May 2026. Heathers is Mean Girls with murder. High school outcast Veronica Sawyer abandons…
Review: Nosferatu Looking for Love – a chaotic and heartfelt hour of comic-gothic comedy
Erin Harrington reviews Nosferatu Looking for Love, created and performed by Rhiannon McCall, directed by Abby Howells, at Little Andromeda, Thursday 14 May 2026. Nosferatu is back from the dead (again). Count Orlok, better known colloquially as Nosferatu, is the vampiric star of the 1922 German expressionist film of the same name, and more besides.…
Review: Les Misérables – an electrifying production of a beloved show
Sophie Gray reviews Les Misérables, presented by North Canterbury Musicals, directed by Tom Hart, with musical direction from Gavin Hurley, at the Rangiora Town Hall, Thursday 7 May 2026. Les Misérables is a show that is so incredibly well-known and beloved, it is hard not to arrive with expectations in place. Luckily, my expectations were…
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