Observations from the ground.
Flat City Field Notes is a blog offering reviews, essays and criticism about arts and culture in and around Ōtautahi Christchurch, Aotearoa New Zealand.
Naomi van den Broek reviews Red Leap Theatre‘s touring production of Owls Do Cry at The Gym, The Arts Centre Te Matatiki Toi Ora, Thursday 8 April, 2021. I attend this lunchtime performance of Owls Do Cry knowing very little about the source material, New Zealand author Janet Frame’s lauded 1957 novel, and just a… Continue reading Review: Owls Do Cry – a complex and arrestingly poetic performance →
Erin Harrington reflects on issues of space and autonomy in three gender-focussed shows that played over two nights at Little Andromeda: feminist cabaret The F-Word by Tatjana T on Friday 26 March, and Two Productions’ MAINMAIN, and the panel show / podcast Feminist Yarns with Kathleen Burns on Saturday 27 March 2021. About two thirds… Continue reading Taking Up Space: A reflection on The F-Word, MAINMAN and Feminist Yarns with Kathleen Burns →
Naomi van den Broek reviews Chamber Music New Zealand‘s production Transfigured Night, a collaboration between BalletCollective Aotearoa and the New Zealand String Quartet. The performance was presented on Saturday 20 March in The Piano: Centre for Music and the Arts Pīpīwharauroa: Kui-kui whitiwhiti ora, Ōtautahi Christchurch. For this programme, presented by Chamber Music New Zealand,… Continue reading Review: Transfigured Night – a bold collaborative programme that doesn’t always cohere →
Ruth Agnew reviews Things I Know to be True, an Australian family drama written by Andrew Bovell, directed by Shane Bosher, and staged at The Court Theatre. Set in the suburban home of Australian empty nesters Bob and Fran Price (Stephan Lovett and Lara MacGregor), Things I Know to be True explores the complexity of… Continue reading Review: Things I Know to be True – complex family dynamics on and off stage →
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