Observations from the ground.

Flat City Field Notes offers reviews and essays about theatre, arts and culture in and around Ōtautahi Christchurch, Aotearoa New Zealand.

Latest Posts

Review: Paul Ego: Stick – appealing, breezy comedy from the dad behind the stick

Charlotte Thornton reviews Paul Ego: Stick, at Little Andromeda, Thursday 11 June 2026. You’ve been hearing Paul Ego’s voice for 17 years. Since 2009 he’s been a regular team captain on 7 Days and the voice of Stickman for PAK’nSAVE, bridging a gap between the underfunded arts field and the lucrative advertising industry that most…

Review: Ravel, Morello, Mozart – an infectiously upbeat performance

Nick Harte reviews Ravel, Morello, Mozart, presented by the Christchurch Symphony Orchestra as part of the Lamb & Hayward Curator’s Series, featuring Maurince Ravel’s Le tombeau de Couperin, Nicola Morello’s Bass Trombone Concerto No. 1 and W A Mozart’s Symphony No. 29, conducted by Leonard Weiss, featuring Pablo Ruiz Henao on Bass Trombone, at the…

Review: Babyface – a total suplex to the heart

Erin Harrington reviews Babyface, written and performed by Nick Tipa, directed by Sara Georgie, with music and sound design by Zac Nicholls, at Little Andromeda, Thursday 4 June 2026. Kahu’s a Māori kid in a small rural town that can’t tap its ‘r’s. Professional wrestler Whiplash is the undisputed heavyweight champion of the world with…

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