Observations from the ground.
Flat City Field Notes offers reviews and essays about theatre, arts and culture in and around Ōtautahi Christchurch, Aotearoa New Zealand.
Latest Posts
Review: A Court of Horny Roses – My Comical Romantasy
Moata Tamaira reviews A Court of Horny Roses, presented by Rollicking Entertainment at the Lyttelton Arts Factory, Friday 18 September 2026. What do you get if you bring a theatre full of Romantasy fans (and the Romantasy-curious) together, act out a chaotic, abridged version of a wildly popular Sarah J. Maas novel, and give them…
Review: Rameau / Poulenc / Beethoven – wild displays of anguish and ecstacy, with a dollop of theatricality
Nick Harte reviews Rameau / Poulenc / Beethoven, presented by the Christchurch Symphony Orchestra, conducted by Chad Kelly, at the Douglas Lilburn Auditorium, Christchurch Town Hall, Saturday 12 September 2026. I was elatedly taken aback when the concert opened (sans introduction) with “Entrée de Polymnie” from Jean-Philippe Rameau’s final opera Les Boréades, as it’s one…
Review: Teenage Dick – Gen Z zingers meet dirty politics as Richard III goes to high school
Erin Harrington reviews Teenage Dick, by Mike Lew, directed by Pelenakeke Brown, at the Court Theatre, Saturday 12 September 2026. Richard III is one of Shakespeare’s great villains: a “deformed, unfinish’d” noble “not shaped for sportive tricks” who decides that if he can’t be the face then he’ll be the heel, and damn anyone who…
Review: And Then There Were None – a creative take on a classic play
Jordon Jones reviews And Then There Were None, by Agatha Christie, directed by Rachel O’Brien Hamilton and Ben Moore, presented by the University of Canterbury Drama Society, at the Ngaio Marsh Theatre, Wednesday 9 September 2026. And Then There Were None is one of Agatha Christie’s most enduring mysteries, sitting right up there with Murder…
Something went wrong. Please refresh the page and/or try again.
Flat City Field Notes 