Observations from the ground.
Flat City Field Notes offers reviews and essays about theatre, arts and culture in and around Ōtautahi Christchurch, Aotearoa New Zealand.
Latest Posts
Review: Teenage Dick – Gen Z zingers meet dirty politics as Richard III goes to high school
Erin Harrington reviews Teenage Dick, by Mike Lew, directed by Pelenakeke Brown, at the Court Theatre, Saturday 12 September 2026. Richard III is one of Shakespeare’s great villains: a “deformed, unfinish’d” noble “not shaped for sportive tricks” who decides that if he can’t be the face then he’ll be the heel, and damn anyone who…
Review: And Then There Were None – a creative take on a classic play
Jordon Jones reviews And Then There Were None, by Agatha Christie, directed by Rachel O’Brien Hamilton and Ben Moore, presented by the University of Canterbury Drama Society, at the Ngaio Marsh Theatre, Wednesday 9 September 2026. And Then There Were None is one of Agatha Christie’s most enduring mysteries, sitting right up there with Murder…
Review: The Wolves and Alone It Stands – creative teamwork makes for impressive youth performances
Erin Harrington reviews The Wolves, by Sarah DeLappe, directed by Lizzie Tollemache, and Alone It Stands, by John Breen, directed by David Ladderman, presented by the Court Theatre Youth Company in the Wakefield Family Front Room, The Court Theatre, Saturday 29 and Sunday 30 August 2026. One of the great pleasures of watching youth theatre…
“You get into a trance-like state”: on performing in Steve Reich’s Music for 18 Musicians
Hannah Kagawa reflects on the experience of performing in the New Zealand premiere of Steve Reich’s Music for 18 Musicians, at The Piano | Pīpīwharauroa Kui-kui whitiwhiti ora, Saturday 15 August 2026. Fourteen seconds of absolute silence, followed by an instant standing ovation from a sold out crowd at The Piano. Words cannot describe how…
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