Observations from the ground.
Flat City Field Notes is a blog offering reviews, essays and criticism about arts and culture in and around Ōtautahi Christchurch, Aotearoa New Zealand.
Naomi van den Broek reviews TOAST at Little Andromeda, 3 June 2021. What if women truly loved their bodies? This question is at the heart of physical theatre work TOAST by company Zen Zen Zo NZ. This is a contemporary devised work that utilises material sourced verbatim from the experiences of people during lockdown(s), and… Continue reading Review: TOAST – a compassionate comedy about loving our bodies →
Naomi van den Broek and Erin Harrington review Resolve at Space Academy, Thursday 27 May 2021. What would it sound like if we could hear the universe’s improvisations and movements as music? This question is explored in Resolve, which showcases new compositions and arrangements from jazz guitarist Heather Webb, in an evening presented as part… Continue reading Review: Resolve – stellar jazz music inspired by stardust →
Erin Harrington reviews Taki Rua’s production of Sing to Me at Papa Hou, YMCA Building, on 25 May 2021. Taki Rua’s beautiful touring production Sing to Me takes as its starting point the story of Pania of the Reef, placing it within a contemporary context that acknowledges present-day cultural exchanges, the pressures of relationships and… Continue reading Review: Sing to Me – a powerful love story where land meets sea →
Erin Harrington reviews the Court Theatre Youth Company’s production of Boys, 12 May 2021. The Court Theatre Youth Company’s excellent production of Eleanor Bishop’s Boys is a raw and angry show that asks questions about gender, power and tradition. Bishop’s script deconstructs Greg McGee’s landmark play Foreskin’s Lament, a scorching account of the fractious place… Continue reading Review: Boys – a raw and provocative account of gender and power →
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