Observations from the ground.
Flat City Field Notes is a blog offering reviews, essays and criticism about arts and culture in and around Ōtautahi Christchurch, Aotearoa New Zealand.
Ruth Agnew reviews the breakfast television show parody Brunch at Little Andromeda, 30 April 2021. Brunch is the most comfortable of all meals, free of the formality and nutritional expectations of breakfast, lunch, dinner, brinner, elevenses, and supper. Two of Ōtautahi’s favourite tasty snacks, Ray Shipley and Emma Cusdin are, as their promotional material suggests,… Continue reading Review: Brunch – a comedy show that’s the best meal of the day →
Erin Harrington reviews opening night of the Court Theatre‘s mainstage production of Ladies Night, on 1 May, 2021. In the last week the Court Theatre has celebrated its 50th birthday – a remarkable milestone. It follows up these festivities with the opening of a terrific production of New Zealand’s most commercially successful play, Ladies Night.… Continue reading Review: Ladies Night – bums on stage and bums on seats →
Erin Harrington reviews The Lost Sock, at Good Times Comedy Club, 20 April 2021. Tusk Puppets’ production The Lost Sock is an endearing school holiday show for young people that foregrounds friendship, teamwork and bravery. Their first show as a company is a witty quest-slash-redemption story driven by strong, catchy songs and effective dual address. Puppet operators and… Continue reading Review: The Lost Sock – an endearing show about socks, jocks, and friendship →
Naomi van den Broek reviews Red Leap Theatre‘s touring production of Owls Do Cry at The Gym, The Arts Centre Te Matatiki Toi Ora, Thursday 8 April, 2021. I attend this lunchtime performance of Owls Do Cry knowing very little about the source material, New Zealand author Janet Frame’s lauded 1957 novel, and just a… Continue reading Review: Owls Do Cry – a complex and arrestingly poetic performance →
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