Observations from the ground.
Flat City Field Notes offers reviews and essays about theatre, arts and culture in and around Ōtautahi Christchurch, Aotearoa New Zealand.
Latest Posts
Review: Bride of Hyde – a satisfying gothic horror about becoming something new
Erin Harrington reviews Bride of Hyde, written by Bryn Sparks, directed by Dan Bain, at Little Andromeda, Wednesday 28 October 2026. The new play Bride of Hyde mashes together two classics, Robert Louis Stephenson’s The Strange Case of Dr Jekyll and Mr Hyde (and its various adaptations) and My Fair Lady (the best-known adaptation of…
Review: Wilson Dixon & Paul Douglas in The Cabin Fever Comedy Tour – this singer is an unsung comedy legend
Charlotte Thornton reviews Wilson Dixon & Paul Douglas – The Cabin Fever Comedy Tour, at Little Andromeda, Saturday 17 October 2026. I leapt at the opportunity to review Wilson Dixon & Paul Douglas The Cabin Fever Comedy Tour. I was introduced to Dixon when I was a kid through his YouTube clips – still worth…
Review: Sweet William or Born to Be Bard – strong vocal performances elevate a long-lost local musical
Charlotte Thornton reviews Sweet William or Born to be Bard, presented by Enchanting Productions, written and composed by Neill Pickard, directed by Louise Glossop, at The Piano, Friday 16 October 2026. William Shakespeare is almost as popular a character as the characters he created. He’s beloved on screen: a romantic lead in the Best Picture-winning…
Rehearsed readings at the Festival of New Theatre: three very different plays, done three ways
Erin Harrington responds to three rehearsed play readings at the Festival of New Theatre: Ella West’s Mrs Parker, Ana Mulipola’s My Mum Stitches, and Andrew Todd and Cathasaigh Ó Fiannachta’s The Consummate Professional, presented in partnership with Rollicking Entertainment at the Isaac Theatre Royal, Sunday 11 October 2026. Making theatre is amazing, and it is…
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