Observations from the ground.
Flat City Field Notes offers reviews and essays about theatre, arts and culture in and around Ōtautahi Christchurch, Aotearoa New Zealand.
Latest Posts
Review: Dear Stalker – a bloody funny show that works the audience like a pleasure device
Naomi van den Broek reviews Dear Stalker, written and performed by Harriet Moir, at Little Andromeda, Friday 24 July 2026. Dear Stalker is a tight, frank, and riotously hilarious stand up hour about the trials and tribulations of looking for love, from comedian Harriet Moir. It opens with a David Attenborough-esque voice over introducing us…
Review: Folk Tales – a much-needed cuddle in dark times
Charlotte Thornton reviews Folk Tales, presented by Rollicking Entertainment for the Lyttelton Arts Festival, at the Lyttelton Arts Factory, Sunday 19 July 2026. Let’s talk about the apocalypse. It’s hard to say if we’re properly in it now, or still dodging it Matrix-style, but this year has seen a distinct mood shift. Blues and folk…
Review: At the Wake – A poignant account of love, loss and connection
Ruth Agnew reviews At the Wake, by Victor Rodger, directed by Tanya Muagututi’a, at the Court Theatre, Satrday 18 July 2026. Recently a friend told me we have reached the age of funerals; we have moved through the era of every weekend being crammed with 21st parties, weddings, christenings, and reached a time in our…
Review: Pierre & Randy’s Gameshow Roulette – a great show lost in its crowd
Charlotte Thornton reviews Pierre & Randy’s Gameshow Roulette, presented at Lyttelton Arts Factory as part of the Lyttelton Arts Festival, Satuday 18 July 2026. Back in March, I reviewed The Gigantic Gay Late Night Game Show at The Court Theatre during its Rainbow Festival. It featured Dan Pengelly as sassy, French-accented compére Pierre, Criss Grueber…
Something went wrong. Please refresh the page and/or try again.
Flat City Field Notes 