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Review: Hysterical – personal, political, poetic

Erin Harrington reviews Hysterical, by Carrie Rudzinksi and Olivia Hall, at Little Andromeda, Thursday 12 May 2022. Hysterical is heart-on-its-sleeve confessional storytelling that marries the personal and intimate to the political and polemical. The show is the second full-length show created by Auckland-based performance poets Olivia Hall (a Kiwi) and Carrie Rudzinski (an American), hardcore… Continue reading Review: Hysterical – personal, political, poetic

Performance, connectivity and care: Tīwai’s Te Pūtake and White Rabbit, Red Rabbit

Erin Harrington writes about dance collective Tīwai's research showing of new work Te Pūtake at Movement Art Practice, 29 April 2022, and returns to JMO Theatrics' White Rabbit, Red Rabbit, which ran at Little Andromeda from 13-17 April, 2022. At the beginning of contemporary dance work Te Pūtake, from collective Tīwai (Rebecca Johnson, Kereana Mosen… Continue reading Performance, connectivity and care: Tīwai’s Te Pūtake and White Rabbit, Red Rabbit

Review: White Rabbit, Red Rabbit – a one-of-a-kind absurdist experiment

Erin Harrington reviews White Rabbit, Red Rabbit, presented by JMO Theatrics, at Little Andromeda, Wednesday 13 April 2022. It is hard to write about White Rabbit, Red Rabbit, presented at Little Andromeda by JMO Theatrics, as anything said could stray into a violation of its central conceit. What we do know, and can say: Iranian… Continue reading Review: White Rabbit, Red Rabbit – a one-of-a-kind absurdist experiment

Review: The Barden Party – magical al fresco Shakespeare in a garden near you

Erin Harrington reviews The Barden Party's touring production of A Midsummer Night's Dream, performed at a private residence in Swannanoa, North Canterbury, 2 April 2022. A Midsummer Night’s Dream is one of those rare works that is pretty much smashproof. It doesn’t matter if it’s performed by intermediate school students or the Royal Shakespeare Company,… Continue reading Review: The Barden Party – magical al fresco Shakespeare in a garden near you

Review: Drop Dead Gorgeous! A Drag Murder Miss-tery – sequins, shade, and big chaos energy

Erin Harrington reviews Drop Dead Gorgeous! A Drag Murder Miss-tery, presented by Les Femmes at Little Andromeda, 24 March 2022. The smell of poisoned lip gloss is in the air at the debut of Drop Dead Gorgeous! A Drag Murder Miss-tery. The show features Auckland-based drag cabaret act Les Femmes - Miss Manage (Jeremy Hinman),… Continue reading Review: Drop Dead Gorgeous! A Drag Murder Miss-tery – sequins, shade, and big chaos energy

Review: Daybreak Estate – last drinks at the end of the world

Erin Harrington reviews Daybreak Estate, presented by All You Can Eat Productions at Little Andromeda, 17 March 2022. Choreographer Jessie McCall’s hour-long work Daybreak Estate is a wickedly funny, provocative and ultimately profound piece of dance theatre. It invites us to a bougie influencer retreat at the end of the world, where the only things… Continue reading Review: Daybreak Estate – last drinks at the end of the world

Review: Ariā I and II – voices of longing, absence and connection

Erin Harrington responds to Ariā, created and performed by Juanita Hepi (Kāi Tahu, Ngāti Wai, Moriori, Ngāti Kahungunu, Ngāpuhi), with artistic direction from Julia Harvie, from 2-245pm on Saturday 22 January 2022 at the installation Isolation Hotel at Canterbury Museum. Multidisciplinary storyteller Juanita Hepi is one of the busiest and most interesting creatives in Ōtautahi.… Continue reading Review: Ariā I and II – voices of longing, absence and connection

Review: The Unauthorised Biography Of… – high energy, sometimes chaotic histories of unsung heroes

Erin Harrington reviews the Court Theatre Youth Company's devised production of The Unauthorised Biography Of..., directed by William Burns, at the Canterbury Museum, Wednesday 8 December 2021. Set on the ground floor of the Canterbury Museum, Heather Straka’s multi-disciplinary installation, Isolation Hotel, places us inside the foyer of a shabby, run-down German hotel from the… Continue reading Review: The Unauthorised Biography Of… – high energy, sometimes chaotic histories of unsung heroes

Tiny conversations: points of exchange at Tiny Fest 2021

Erin Harrington recaps three discussion-based events at movement arts festival Tiny Fest, which ran from Friday 26 - Saturday 28 November 2021 at Little Andromeda and the Christchurch Town Hall. Tiny Fest in 2021 isn’t really that tiny. The 2019 festival, presented by Movement Art Practice, took place over a single day, starting early and… Continue reading Tiny conversations: points of exchange at Tiny Fest 2021

Review: Little Shop of Horrors – vibrant, camp escapism

Erin Harrington reviews Little Shop of Horrors, directed by Benjamin Henson, at The Court Theatre, Saturday 20 November 2021. Cult sci-fi horror musical Little Shop of Horrors is one of those rare works of musical theatre that’s effectively smash-proof: it’s smart, consistently funny, frequently in circulation, worthy of repeat viewings, and desperately enjoyable. The Court… Continue reading Review: Little Shop of Horrors – vibrant, camp escapism