Arts and culture in Ōtautahi Christchurch
Sophie Gray reviews Les Misérables, presented by North Canterbury Musicals, directed by Tom Hart, with musical direction from Gavin Hurley, at the Rangiora Town Hall, Thursday 7 May 2026. Les Misérables is a show that is so incredibly well-known and beloved, it is hard not to arrive with expectations in place. Luckily, my expectations were… Continue reading Review: Les Misérables – an electrifying production of a beloved show
Jordon Jones reviews Death at Murder Manor, directed by Brendon Bennetts, at the Court Theatre, presented as part of the NZ International Comedy Festival, Thursday 7 May 2026. The audience falls into a hush as the lights dim. The entrance music—a series of songs one might find in Noël Coward's personal record collection—fades out. There… Continue reading Review: Death at Murder Manor – clever improvised theatre that’s dead funny
Erin Harrington talks with Ōtautahi-based theatremaker Will Burns about the history and development of three upcoming solo shows, each back for a return season in the next three weeks. Shit Finds Love is a chaotic, prop heavy show in which a silent character explores the world of dating and relationships with the help of the… Continue reading Interview: Will Burns on theatremaking, quirky characters, and devising creative chaos
Charlotte Thornton reviews the 2026 Best Foods Comedy Gala, presented by the NZ International Comedy Festival, at the Christchurch Town Hall, Sunday 3 May 2026. North Island envy is real. The New Zealand International Comedy Festival, sponsored by mayonnaise giant Best Foods, takes place in Pōneke Wellington and Tāmaki Makaurau Auckland every autumn. Down in… Continue reading Review: The 2026 Best Foods Comedy Gala – Christchurch finally gets a terrific spread (and some comedians)
Juanita Hepi reflects on Wahine Mātātoa: The (Mostly) True Story of Erihāpeti Pātahi, written by Cindy Diver, directed by Kim Garrett, with musical direction by Ariana Tikao, at the Court Theatre, Saturday 18 April 2026. Six weeks ago, my sister, Jeni Leigh Walker passed away. She was 48. Three weeks later, the writer of this… Continue reading Review: Wahine Mātātoa: The (Mostly) True Story of Erihāpeti Pātahi – we see ourselves, properly
Ruth Agnew reviews An Hour of Smith and Allan at Little Andromeda, Friday 17 April 2026. Daniel Allan and Trubie-Dylan Smith are well known names, names recognised across Ōtautahi and beyond. Trubie-Dylan Smith’s roles reflect his versatility, ranging from presenting What Now to the recent Every Brilliant Thing and Feeling Afraid As If Something Terrible… Continue reading Review: An Hour of Smith and Allan – sharp minds and quick quips make a great hour of long-form improv
Ruth Agnew reviews Charlie and the Chocolate Factory, presented by Showbiz Christchurch, directed by Stephen Robertson, musical direction by Richard Marrett, based on the novel by Roald Dahl, with book by David Greig, music by Marc Shaiman and lyrics by Shaiman and Scott Wittman, at the Isaac Theatre Royal, Thursday 23 April 2026. Charlie and… Continue reading Review: Charlie and the Chocolate Factory – wonderfully sweet performances in a sometimes bitter musical
Nick Harte reviews Lumen Ensemble: Colours of Time, with works by Holly Harrison, Maurice Ravel and Olivier Messiaen presented by Christopher's Classics at The Piano / Pīpīwharauroa: Kui-kui whitiwhiti ora, Friday 17 April 2026. The Lumen Ensemble’s clarinetist Lloyd Van’t Hoff proudly proclaimed that his favourite thing about Christchurch is PAK’nSAVE, which was not the… Continue reading Review: Lumen Ensemble’s Colours of Time – luminescence and catastrophe make for a revelatory combination
Ruth Agnew reviews The Addams Family, book by Marshall Brickman and Rick Elice, music and lyrics by Andrew Lippa, backed on characters created by Charles Addams, directed by Claire Clark and Phil Deadn, musical direction by Caelan Thomas, choreography by Catherine McHaffie, at CentreStage Rolleston, Wednesday 15 April 2026. CentreStage Rolleston has wholly embraced The… Continue reading Review: The Addams Family – ghoulishly good community theatre
Erin Harrrington reviews Skate or Die, written by Millie Hanford, directed by Grace von Huben, produced by Pretty Little Sweethearts, at Little Andromeda, Thursday 16 April 2026. One of the funniest things I have ever overheard happened about twenty years ago, while I was having a lunchtime cigarette (regrets) at the Hack Circle in Cashel… Continue reading Review: Skate or Die – a hilarious new comedy about thrashing the patriarchy, one trick at a time
Flat City Field Notes 