Erin Harrington reviews Babyface, written and performed by Nick Tipa, directed by Sara Georgie, with music and sound design by Zac Nicholls, at Little Andromeda, Thursday 4 June 2026. Kahu’s a Māori kid in a small rural town that can’t tap its ‘r’s. Professional wrestler Whiplash is the undisputed heavyweight champion of the world with… Continue reading Review: Babyface – a total suplex to the heart
Category: review
Review: & Juliet – A girlboss by any other name
Charlotte Thornton reviews & Juliet, presented by G&T Productions, directed by Hamish Mouat, choreography by Destiny Anderson, music and lyrics by Max Martin and friends, book by David West Read, at the Isaac Theatre Royal, Saturday 30 May 2026. Was 2019 a long time ago? Chronologically, no. Culturally, yes. 2019 saw the West End premiere… Continue reading Review: & Juliet – A girlboss by any other name
Review: Let the Right One In – an ambitious gothic coming-of-age story that challenges the audience
Erin Harrington reviews Let the Right One In, adapted by Jack Thorne from the novel by John Ajvide Lindqvist, directed by Dan Bain, at the Court Theatre, Saturday 23 May 2026. The coming-of-age horror drama Let the Right One In is a real departure from the Court Theare’s usual programming. The play is based on… Continue reading Review: Let the Right One In – an ambitious gothic coming-of-age story that challenges the audience
Review: The First Annual Parnell Croquet Club Facebook Live Telethon – so good (so good, so good)
Erin Harrington reviews The First Annual Parnell Croquet Club Facebook Live Telethon, created and performed by William Burns (and friends), at Little Andromeda, Friday 22 May 2026. The Parnell Croquet Club is in danger of folding, and community stalwart Pat Stevens (Will Burns) is here with her zip up vest, sensible shoes and tenuous wi-fi… Continue reading Review: The First Annual Parnell Croquet Club Facebook Live Telethon – so good (so good, so good)
Review: Animal Farm – strong barnyard performances brighten an ambitious production
Ruth Agnew reviews Animal Farm, presented by Canterbury Repertory Theatre, adapted for the stage by Tatty Hennessy from the novella by George Orwell, directed by Dimitri Gibara, at the Elmwood Auditorium, Wednesday 20 May 2026. What better way to escape the rising tide of corruption in a sea of political power play flooding the world… Continue reading Review: Animal Farm – strong barnyard performances brighten an ambitious production
Review: Heathers: The Musical – a powerhouse production that’s the most fun you can have with a toxic ex
Charlotte Thornton reviews Heathers: The Musical, produced by GMG productions, music, book and lyrics by Kevin Murphy and Laurence O'Keefe, directed by Andy Fickman, choreographed by Gary Lloyd, with musical direction from Martine Wengrow, at the James Hay Theatre, Friday 15 May 2026. Heathers is Mean Girls with murder. High school outcast Veronica Sawyer abandons… Continue reading Review: Heathers: The Musical – a powerhouse production that’s the most fun you can have with a toxic ex
Review: Nosferatu Looking for Love – a chaotic and heartfelt hour of comic-gothic comedy
Erin Harrington reviews Nosferatu Looking for Love, created and performed by Rhiannon McCall, directed by Abby Howells, at Little Andromeda, Thursday 14 May 2026. Nosferatu is back from the dead (again). Count Orlok, better known colloquially as Nosferatu, is the vampiric star of the 1922 German expressionist film of the same name, and more besides.… Continue reading Review: Nosferatu Looking for Love – a chaotic and heartfelt hour of comic-gothic comedy
Review: Les Misérables – an electrifying production of a beloved show
Sophie Gray reviews Les Misérables, presented by North Canterbury Musicals, directed by Tom Hart, with musical direction from Gavin Hurley, at the Rangiora Town Hall, Thursday 7 May 2026. Les Misérables is a show that is so incredibly well-known and beloved, it is hard not to arrive with expectations in place. Luckily, my expectations were… Continue reading Review: Les Misérables – an electrifying production of a beloved show
Review: Death at Murder Manor – clever improvised theatre that’s dead funny
Jordon Jones reviews Death at Murder Manor, directed by Brendon Bennetts, at the Court Theatre, presented as part of the NZ International Comedy Festival, Thursday 7 May 2026. The audience falls into a hush as the lights dim. The entrance music—a series of songs one might find in Noël Coward's personal record collection—fades out. There… Continue reading Review: Death at Murder Manor – clever improvised theatre that’s dead funny
Review: The 2026 Best Foods Comedy Gala – Christchurch finally gets a terrific spread (and some comedians)
Charlotte Thornton reviews the 2026 Best Foods Comedy Gala, presented by the NZ International Comedy Festival, at the Christchurch Town Hall, Sunday 3 May 2026. North Island envy is real. The New Zealand International Comedy Festival, sponsored by mayonnaise giant Best Foods, takes place in Pōneke Wellington and Tāmaki Makaurau Auckland every autumn. Down in… Continue reading Review: The 2026 Best Foods Comedy Gala – Christchurch finally gets a terrific spread (and some comedians)









