Arts and culture in Ōtautahi Christchurch
Creon Upton reviews Da Da Honk Honk The The Dry Cleaning of Père Ubu, presented by Free Theatre, directed by Peter Falkenberg, at The Pump House, Thursday 8 October 2026. One of my most memorable gigs of the past decade was Delaney Davidson playing at St Stephen's Church in Onewhero in 2017. Tickets were available… Continue reading Review: Da Da Honk Honk The The Dry Cleaning of Père Ubu – a witty and wild cabaret that’s whatever you want to make of it (and that’s okay)
Ruth Agnew reviews Invisible to the Naked AI, a work in progress show performed by Nicola Brown, at Little Andromeda, Saturday 3 October 2026. Dunedin has lots of hidden, underrated treasures - The Museum of Natural Mystery, Lan Yuan Chinese Garden, the Dead Souls Bookshop, and my new favourite, comedian Nicola Brown. Luckily for those… Continue reading Review: Invisible to the Naked AI – an unapologetically funny show about not fading away
Breeze Robertson reviews Big Low Dream, presented by Footnote New Zealand Dance, at Papa Hou, Saturday 19 September. Nightmare or fantasy? Big Low Dream was both, or neither, or something in between. My notes from Footnote’s latest production read like a Surrealist’s dream diary; strong impressions, half-formed thoughts, vivid images, uncertain feelings and more questions… Continue reading Review: Big Low Dream – an ambitious dance work that’s nightmare, fantasy, and everything in between
Nick Harte reviews Rameau / Poulenc / Beethoven, presented by the Christchurch Symphony Orchestra, conducted by Chad Kelly, at the Douglas Lilburn Auditorium, Christchurch Town Hall, Saturday 12 September 2026. I was elatedly taken aback when the concert opened (sans introduction) with "Entrée de Polymnie" from Jean-Philippe Rameau’s final opera Les Boréades, as it’s one… Continue reading Review: Rameau / Poulenc / Beethoven – wild displays of anguish and ecstacy, with a dollop of theatricality
Erin Harrington reviews Teenage Dick, by Mike Lew, directed by Pelenakeke Brown, at the Court Theatre, Saturday 12 September 2026. Richard III is one of Shakespeare’s great villains: a “deformed, unfinish’d” noble “not shaped for sportive tricks” who decides that if he can’t be the face then he’ll be the heel, and damn anyone who… Continue reading Review: Teenage Dick – Gen Z zingers meet dirty politics as Richard III goes to high school
Jordon Jones reviews And Then There Were None, by Agatha Christie, directed by Rachel O'Brien Hamilton and Ben Moore, presented by the University of Canterbury Drama Society, at the Ngaio Marsh Theatre, Wednesday 9 September 2026. And Then There Were None is one of Agatha Christie's most enduring mysteries, sitting right up there with Murder… Continue reading Review: And Then There Were None – a creative take on a classic play
Erin Harrington reviews The Wolves, by Sarah DeLappe, directed by Lizzie Tollemache, and Alone It Stands, by John Breen, directed by David Ladderman, presented by the Court Theatre Youth Company in the Wakefield Family Front Room, The Court Theatre, Saturday 29 and Sunday 30 August 2026. One of the great pleasures of watching youth theatre… Continue reading Review: The Wolves and Alone It Stands – creative teamwork makes for impressive youth performances
Jordon Jones reviews SwapRox, presented by PopRox Improv, at Little Andromeda, Thursday 20 August 2026. If you've ever thought that improv comedy just isn't chaotic enough these days, have I got a show for you! SwapRox is an acknowledgement that attention spans are shrinking, and has been specially designed to shake things up just as… Continue reading Review: SwapRox – chaotic improv with miscreant energy for those with short attention spans
Charlotte Thornton reviews Redemption, presented by Ginge and Minge at Little Andromeda, Thursday 20 August 2026. Behind every great idea are a dozen bad ones. Discarding these bad ideas, known as ‘killing your darlings,’ is a painful but important part of the artistic process. They get locked away in the Notes app alongside half-finished to-do… Continue reading Review: Redemption – bad ideas turned chaotic good
Erin Harrington reviews CSO & Rova Present: The Music of Hans Zimmer, conducted by Benjamin Northey, at the Douglas Lilburn Auditorium, the Christchurch Town Hall, Friday 14 August 2026. Hans Zimmer is perhaps the most distinctive, inventive and celebrated film composer of the last few decades. His work combines intellectual rigour, emotional depth and creative… Continue reading Review: The Music of Hans Zimmer – orchestral power meets cinematic immediacy (with dad jokes thrown in for free)
