Review: P O O Lside – exploring the geometry of community space through movement and voice

Erin Harrington reviews contemporary dance work P O O Lside at Waltham Pool, at the 4pm showing on Saturday 19 June 2021. It’s close to dusk on what’s nearly the shortest day of the year, and it’s bloody cold. We’re sitting at picnic tables and deck chairs, wrapped in blankets and clutching hot water bottles,… Continue reading Review: P O O Lside – exploring the geometry of community space through movement and voice

Review: Transfigured Night – a bold collaborative programme that doesn’t always cohere

Naomi van den Broek reviews Chamber Music New Zealand's production Transfigured Night, a collaboration between BalletCollective Aotearoa and the New Zealand String Quartet. The performance was presented on Saturday 20 March in The Piano: Centre for Music and the Arts Pīpīwharauroa: Kui-kui whitiwhiti ora, Ōtautahi Christchurch. For this programme, presented by Chamber Music New Zealand,… Continue reading Review: Transfigured Night – a bold collaborative programme that doesn’t always cohere

Headless Women and the politics of being seen

The performance research project Headless Women asks: what are the politics of being seen? How do women find a place to exist in a world that asks them to be, on one hand, hypervisible and objectified, and on the other, silenced and invisible? Can dance and movement offer us a different way of speaking, when… Continue reading Headless Women and the politics of being seen