Ghost light, or, the week that wasn’t

A ghost light is a light left on inside a theatre that’s gone dark, usually sitting in the centre of the stage. Some say it’s to placate (or scare off) theatre ghosts, some say it’s to stop people falling in the orchestra pit in the dark; both are valid. (It is also the name of… Continue reading Ghost light, or, the week that wasn’t

Review: Frankenstein – some beautiful parts, but not yet whole

Erin Harrington reviews Frankenstein, a co-production between The Court Theatre and the National Academy of Singing and Dramatic Arts (NASDA), at The Court Theatre, Saturday 7 August 2021. Mary Shelley’s 1818 novella Frankenstein; or, the Modern Prometheus is a creature that refuses to die. More than two hundred years after she brought it to life,… Continue reading Review: Frankenstein – some beautiful parts, but not yet whole

Review: Boys – a raw and provocative account of gender and power

Erin Harrington reviews the Court Theatre Youth Company's production of Boys, 12 May 2021. The Court Theatre Youth Company's excellent production of Eleanor Bishop's Boys is a raw and angry show that asks questions about gender, power and tradition. Bishop’s script deconstructs Greg McGee’s landmark play Foreskin’s Lament, a scorching account of the fractious place… Continue reading Review: Boys – a raw and provocative account of gender and power

Taking Up Space: A reflection on The F-Word, MAINMAN and Feminist Yarns with Kathleen Burns

Erin Harrington reflects on issues of space and autonomy in three gender-focussed shows that played over two nights at Little Andromeda: feminist cabaret The F-Word by Tatjana T on Friday 26 March, and Two Productions' MAINMAIN, and the panel show / podcast Feminist Yarns with Kathleen Burns on Saturday 27 March 2021. About two thirds… Continue reading Taking Up Space: A reflection on The F-Word, MAINMAN and Feminist Yarns with Kathleen Burns

Headless Women and the politics of being seen

The performance research project Headless Women asks: what are the politics of being seen? How do women find a place to exist in a world that asks them to be, on one hand, hypervisible and objectified, and on the other, silenced and invisible? Can dance and movement offer us a different way of speaking, when… Continue reading Headless Women and the politics of being seen