Arts and culture in Ōtautahi Christchurch
Erin Harrington reviews A Christmas Carol, presented by Many Hats Theatre Company and devised by the cast, Saturday 2 December 2023. Community support organisation Skillwise does exceptional work with people with disabilities and their whānau. One of their many creative initiatives is the innovative and inclusive Many Hats Theatre Company, which provides performance opportunities for… Continue reading Review: A Christmas Carol – an important, innovative take on a seasonal classic
Erin Harrington reviews Long Ride Home, written and directed by Jack McGee for Squash Co. Arts Collective, at Little Andromeda, 16 November 2023. If you want to have a hard conversation with someone, everyone from internet strangers to expensive therapists will tell you it’s a good idea to do it in car where you’re stuck… Continue reading Review: Long Ride Home – an engaging, innovative two-hander that doesn’t quite make it home
Erin Harrington reviews The Haka Party Incident, written and directed by Katie Wolfe, at The Court Theatre, Friday 27 October 2023. In 1979, a group of Māori activists, who would come to be known later as He Taua, went to the University of Auckland to confront a group of engineering students who were preparing for… Continue reading Review: The Haka Party Incident – bold, ferocious, essential viewing
Erin Harrington reviews We've Got So Much to Talk About, created and performed by Sally Stockwell, directed by Julia Harvie, at Lyttelton Arts Factory, 20 October 2023. Sally Stockwell’s excellent We’ve Got So Much to Talk About is one-woman multidisciplinary tour de force that grabs tightly onto the messiness of motherhood and maternal identity and… Continue reading Review: We’ve Got So Much to Talk About – a vital, defiant show about motherhood and identity
Erin Harrington reviews CLAS103: Greek Mythology, performed by Vincent Andrew-Scammell, and co-directed by Lucy Dawber, at Little Andromeda, Thursday 7 September 2023. There’s a moment quite early on in the semi-improvised show CLAS103: Greek Mythology where actor Vincent Andrew-Scammell, wearing a ridiculous bed-sheet toga and giving a flirtatious take on Greek god Hermes, mimes handing… Continue reading Review: CLAS103 Greek Mythology – a madcap romp through antiquity
Erin Harrington reviews The Appleton Ladies' Potato Race, by Melanie Tait and directed by Anthea Williams, at The Court Theatre, Tuesday 8 August, 2023. In a review some years ago I described a show’s comedy and appeal as ‘broad’, and someone involved in the production got exceptionally cross with me. I meant it in our… Continue reading Review: The Appleton Ladies’ Potato Race – rural social mores get mashed
Erin Harrington reviews Appropriate, written by Branden Jacobs-Jenkins directed by Nathaniel Lees, at the Court Theatre, 6 May 2023. The acclaimed American dark comedy Appropriate starts in the massive living room of a decrepit Arkansas plantation house. It’s still, night, the atmosphere oppressive. The light changes almost imperceptibly through the oversized windows as the cicadas’… Continue reading Review: Appropriate – a provocative dark comedy about the meaning of inheritance
Naomi van den Broek reviews Colour Me Cecily at Little Andromeda, 20 April 2023. In the 1980s my mother, fresh from the breakup of the parental marriage, did what many women in her situation did. She looked for a career that could work around full-time parenting - particularly something that allowed her control over her… Continue reading Review: Colour Me Cecily – a promising show in need of more colour
Erin Harrington reviews Rēwena and Be Like Billy?, staged as a double bill at The Court Theatre, Saturday 25 March 2023. The moving one woman play Rēwena, from award-winning author and playwright Whiti Hereaka (Ngāti Tūwharetoa, Te Arawa, Ngāti Whakaue, Tuhourangi, Ngāti Tumatawera, Tainui, Pākehā) invites us into the private kitchen of hospitality pro… Continue reading Review: Rēwena and Be Like Billy?- a rewarding double bill about reciprocity and those who came before
Erin Harrington pokes around at the Off Centre festival, including performances of Requiem and Much Ado About Nothing, at The Arts Centre Te Matatiki Toi Ora, Friday 3 - Sunday 5 March. For other coverage see a review of A Baby Called Sovereignty here. When The Arts Centre Te Matatiki Toi Ora was severely impacted… Continue reading Review: Off Centre – Requiem, Much Ado About Nothing, and being a city
Flat City Field Notes 