Charlotte Thornton reviews The Gigantic Gay Late Night Game Show, at the Court Theatre, Saturday 8 March 2026. The Gigantic Gay Late Night Game Show is the rowdiest entry in the Court Theatre’s 2026 Rainbow Festival calendar. In an interview with Flat City Field Notes back in February, Festival organiser Tim Bain said the 2026… Continue reading Review: The Gigantic Gay Late Night Game Show – a winning format with a winning audience
Tag: review
Review: Hugo’s Rainbow Show – the forecast is magical
Ruth Agnew reviews Hugo's Rainbow Show, presented as part of the Rainbow Theatre Festival, at the Court Theatre, Saturday 7 March 2026. Hear me out: let’s bring back a dedicated hour of news at 6pm every night, where entire households gather in their lounge rooms to catch up on the day’s events, except there’s no… Continue reading Review: Hugo’s Rainbow Show – the forecast is magical
Review: The Importance of Being Earnest – a sparkling production that’s very serious about being silly
Erin Harrington reviews The Importance of Being Earnest, by Oscar Wilde, directed by Kathleen Burns, at the Stewart Family Theatre at the Court Theatre, Saturday 21 February, 2026. The first mainstage show of the Court Theatre’s 2026 season sets a very high bar for the year. Oscar Wilde’s 1895 play The Importance of Being Earnest,… Continue reading Review: The Importance of Being Earnest – a sparkling production that’s very serious about being silly
Review: The Merry Wives of Windsor – a smart and funny take on a flawed comedy
Ruth Agnew reviews The Merry Wives of Windsor, produced by Top Dog Theatre Company as their annual Open Air Summer Shakespeare production, at Mona Vale, Friday 6 February 2026. While I am a lifelong fangirl of William Shakespeare and his works, I must be honest and admit The Merry Wives of Windsor has never tickled… Continue reading Review: The Merry Wives of Windsor – a smart and funny take on a flawed comedy
Review: Doomsday Comedy – comedy is tragedy plus freedom
Charlotte Thrornton reviews Doomsday Comedy, at A Rolling Stone, Friday 6 February 2026. Legacy stand-ups love to tell us that comedy is about taking risks and being unafraid to offend. Doomsday Comedy bravely takes on a completely uncontroversial topic: religion. All of the performers, and much of the crowd, once adhered to some form of… Continue reading Review: Doomsday Comedy – comedy is tragedy plus freedom
Review: The Feast – sumptuous, emotional storytelling through dance, monologue and music
Erin Harrington reviews The Feast, directed by Fleur de Thier and Renee Ryan and created with the cast, at Lyttelton Arts Factory, Friday 6 February, 2026. The return season of Fleur de Thier and Renee Ryan’s stunning 75-minute performance work The Feast is set at a long black banquet table, which is backed by a… Continue reading Review: The Feast – sumptuous, emotional storytelling through dance, monologue and music
Review: Whakapapa – powerful theatrical self-expression about identity, origins and whānau
Ruth Agnew reviews Whakapapa, presented by Jolt Dance, as part of the World Buskers Festival, at Papa Hou, Sunday 25 January 2026. The show opens with a moment of stillness and silence. The stage is almost bare, just a row of seats painted the same dulled black as the stage and curtains at the back.… Continue reading Review: Whakapapa – powerful theatrical self-expression about identity, origins and whānau
Review: The Lord of the Rings in 90 Minutes! – quality madcap fantasy comedy and action (picnic optional but recommended)
Erin Harrington reviews the Anthony Harper Summer Theatre production of The Lord of the Rings in 90 Minutes!, produced by Rollicking Entertainment, at the Archery Lawn, Christchurch Botanic Gardens, Friday 9 January 2026. Happy 2026, and happy first major production of the year: the Anthony Harper Summer Theatre production of The Lord of the Rings… Continue reading Review: The Lord of the Rings in 90 Minutes! – quality madcap fantasy comedy and action (picnic optional but recommended)
Review / preview: 2025 highlights, and a 2026 wishlist
Erin Harrington cobbles together a bunch of end of / start of year material. Did the performing arts in Ōtautahi survive or thrive in 2025? A little of both perhaps, but either way it was a very big year. There have been some big physical shifts in the local arts ecosystem. Wider changes - such… Continue reading Review / preview: 2025 highlights, and a 2026 wishlist
Review: A Christchurch Carol – everything you want for the holiday season (wit, dance sequences, smut, puppets, ghosts)
Erin Harrington reviews A Christchurch Carol, written by Gregory Cooper, directed by Dan Bain, with music from Michael Bell, at Little Andromeda, Thursday 4 December 2025. This year’s Little Andromeda Christmas show, A Christchurch Carol, localises Dickens’ classic, dropping us in the middle of the city and some of the outer suburbs for an uplifting(?)… Continue reading Review: A Christchurch Carol – everything you want for the holiday season (wit, dance sequences, smut, puppets, ghosts)









