Arts and culture in Ōtautahi Christchurch
Erin Harrington reviews Free Theatre’s production of the avant-garde musical Woyzeck, directed by Peter Falkenberg, at The Pump House, 544 Tuam Street, Friday 14 April, 2023. Free Theatre’s production of Woyzeck is an adaptation of Robert Wilson, Kathleen Brennan and Tom Waits’ musical adaptation, first performed in 2000, of Georg Büchner’s fragmentary, unfinished 1836/7 play.… Continue reading Review: Woyzeck – an avant-garde musical about misery
Margaret Agnew reviews Cinderella, by Gregory Cooper, directed by Kathleen Burns, at The Court Theatre, Tuesday 11 April 2023, assisted by junior reviewers Felicity and Lilly (both age 10). Overheard in the foyer (as we eat pizza and chips and partake in some colouring-in) before the show – Mum talking to kids wearing plastic tiaras:… Continue reading Review: Cinderella – Stepsisters before misters
Erin Harrington reviews Rēwena and Be Like Billy?, staged as a double bill at The Court Theatre, Saturday 25 March 2023. The moving one woman play Rēwena, from award-winning author and playwright Whiti Hereaka (Ngāti Tūwharetoa, Te Arawa, Ngāti Whakaue, Tuhourangi, Ngāti Tumatawera, Tainui, Pākehā) invites us into the private kitchen of hospitality pro… Continue reading Review: Rēwena and Be Like Billy?- a rewarding double bill about reciprocity and those who came before
Erin Harrington pokes around at the Off Centre festival, including performances of Requiem and Much Ado About Nothing, at The Arts Centre Te Matatiki Toi Ora, Friday 3 - Sunday 5 March. For other coverage see a review of A Baby Called Sovereignty here. When The Arts Centre Te Matatiki Toi Ora was severely impacted… Continue reading Review: Off Centre – Requiem, Much Ado About Nothing, and being a city
Naomi van den Broek responds to A Baby Called Sovereignty, presented as part of the Off Centre Festival at The Arts Centre Te Matatiki Toi Ora, Saturday 4 March 2023. “We are not invisible, I know you see us” Weaver of stories, people, themes and contemporary concerns, Juanita Hepi, gives us the koha of A… Continue reading Review: A Baby Called Sovereignty – a koha, a wero, a celebration
Erin Harrington reviews Back to the Future: In Concert, presented by the Christchurch Symphony Orchestra under Chief Conductor Benjamin Northey, at the Christchurch Town Hall, Saturday 4 March, 2023. Some incontrovertible facts about the 1985 time travel film Back to the Future: it smashed that year’s box office, it made the DMC DeLeorean a pop… Continue reading Review: Back to the Future In Concert – A 1.21 jigawatt experience
Erin Harrington reviews Sense and Sensibility, adapted by Penny Ashton from Jane Austen's novel, directed and choreographed by Hillary Moulder, at The Court Theatre, Saturday 11 February, 2023. I didn’t come to Jane Austen until quite late – my 30s. When I was assigned to read Pride and Prejudice in third form English I was… Continue reading Review: Sense and Sensibility – a sparking romantic romp
Erin Harrington reviews I Didn’t Invite You Here to Lecture Me, presented by Artsense Productions, at Little Andromeda, Friday 10 February 2023. The writer and producer of I Didn’t Invite You Here to Lecture Me, Amy Mansfield, clearly took some pretty good notes during her time as a university student – better than most. This… Continue reading Review: I Didn’t Invite You Here to Lecture Me – in defense of a collective experience
Erin Harrington reviews Cancel Santa, directed by Dan Bain and Greg Cooper, at Little Andromeda, Thursday 15 December 2022. Little Andromeda has spent the last few years building up audience buy-in for an annual Christmas production by presenting quality seasons of shows that have originated up north (Toys, Christ! What a Night, The Opening Night… Continue reading Review: Cancel Santa – bawdy holiday chaos
Erin Harrington reviews Rent, book / music / lyrics by Jonathan Larson, directed by Lara Macgregor, at The Court Theatre, Friday 19 November 2022. The Court Theatre has had a patchy year. Many shows were cancelled, mucked about or rescheduled, and the year’s standout production – The Māori Sidesteps, wonderful – was chronically underattended. But… Continue reading Review: Rent – vital, muscular musical theatre
Flat City Field Notes 