Arts and culture in Ōtautahi Christchurch
Erin Harrington reviews the Christchurch Symphony Orchestra's concert Matariki Around the World, led by creative director Juanita Hepi and conductor Nathaniel Griffiths, at the James Hay Auditorium, Wednesday 5 July 2023. There is something very moving about the way that Matariki is being enthusiastically embraced on a national scale as something unique to this place,… Continue reading Review: Matariki Around the World – musicial storytelling about the things that connect us
Naomi van den Broek reviews Next To Normal, music by Ton Kitt, book and lyrics by Brian Yorkey, directed by Hayden Tee, with musical direction by Richard Marrett, at the Court Theatre, 17 June 2023. Pulitzer Prize and Tony Award-winning pop/rock musical Next To Normal is a show centered on a woman’s struggle with, and… Continue reading Review: Next To Normal – a demanding production about mental illness, family and connection
Erin Harrington reviews The Good, The Bad, and The Completely Made Up, directed by Brendon Bennetts, at Little Andromeda, 2 June 2023. In The Good, The Bad, and The Completely Made Up, Rhiannon McCall improvises a terrific hour-long comedy Western in which she out-shoots John Wayne, out-squints Clint Eastwood, and outwits the combined cast of… Continue reading Review: The Good, the Bad and the Completely Made-Up – a hilarious solo improvised Western
Erin Harrington reviews Appropriate, written by Branden Jacobs-Jenkins directed by Nathaniel Lees, at the Court Theatre, 6 May 2023. The acclaimed American dark comedy Appropriate starts in the massive living room of a decrepit Arkansas plantation house. It’s still, night, the atmosphere oppressive. The light changes almost imperceptibly through the oversized windows as the cicadas’… Continue reading Review: Appropriate – a provocative dark comedy about the meaning of inheritance
Naomi van den Broek reviews Colour Me Cecily at Little Andromeda, 20 April 2023. In the 1980s my mother, fresh from the breakup of the parental marriage, did what many women in her situation did. She looked for a career that could work around full-time parenting - particularly something that allowed her control over her… Continue reading Review: Colour Me Cecily – a promising show in need of more colour
Erin Harrington reviews Ray Shipley's standup hour 50 Shades of Ray at Little Andromeda, 15 April 2023. Hello, nice audience member, are you an anxious person? Probably. If so, Billy T-nominated comedian Ray Shipley’s latest comedy hour, 50 Shades of Ray, is a safe space. If not, keep it to yourself and let your introvert… Continue reading Review: 50 Shades of Ray – a comic safe space for the anxious
Erin Harrington reviews Free Theatre’s production of the avant-garde musical Woyzeck, directed by Peter Falkenberg, at The Pump House, 544 Tuam Street, Friday 14 April, 2023. Free Theatre’s production of Woyzeck is an adaptation of Robert Wilson, Kathleen Brennan and Tom Waits’ musical adaptation, first performed in 2000, of Georg Büchner’s fragmentary, unfinished 1836/7 play.… Continue reading Review: Woyzeck – an avant-garde musical about misery
Margaret Agnew reviews Cinderella, by Gregory Cooper, directed by Kathleen Burns, at The Court Theatre, Tuesday 11 April 2023, assisted by junior reviewers Felicity and Lilly (both age 10). Overheard in the foyer (as we eat pizza and chips and partake in some colouring-in) before the show – Mum talking to kids wearing plastic tiaras:… Continue reading Review: Cinderella – Stepsisters before misters
Erin Harrington reviews Rēwena and Be Like Billy?, staged as a double bill at The Court Theatre, Saturday 25 March 2023. The moving one woman play Rēwena, from award-winning author and playwright Whiti Hereaka (Ngāti Tūwharetoa, Te Arawa, Ngāti Whakaue, Tuhourangi, Ngāti Tumatawera, Tainui, Pākehā) invites us into the private kitchen of hospitality pro… Continue reading Review: Rēwena and Be Like Billy?- a rewarding double bill about reciprocity and those who came before
Erin Harrington pokes around at the Off Centre festival, including performances of Requiem and Much Ado About Nothing, at The Arts Centre Te Matatiki Toi Ora, Friday 3 - Sunday 5 March. For other coverage see a review of A Baby Called Sovereignty here. When The Arts Centre Te Matatiki Toi Ora was severely impacted… Continue reading Review: Off Centre – Requiem, Much Ado About Nothing, and being a city
Flat City Field Notes 