Arts and culture in Ōtautahi Christchurch
Erin Harrington reviews Something Rotten! book by Karey Kirkpatrick and John O’Farrell, music and lyrics by Wayne Kirkpatrick and Karey Kirkpatrick, directed by Benjamin Kilby-Henson, with musical direction by Richard Marrett, at the Court Theatre, Saturday 25 November 2023. The Court Theatre has a long tradition of presenting big budget summer musicals that seek to… Continue reading Review: Something Rotten! – a boisterous, witty musical that’s anything but
Erin Harrington reviews Long Ride Home, written and directed by Jack McGee for Squash Co. Arts Collective, at Little Andromeda, 16 November 2023. If you want to have a hard conversation with someone, everyone from internet strangers to expensive therapists will tell you it’s a good idea to do it in car where you’re stuck… Continue reading Review: Long Ride Home – an engaging, innovative two-hander that doesn’t quite make it home
Erin Harrington reviews The Haka Party Incident, written and directed by Katie Wolfe, at The Court Theatre, Friday 27 October 2023. In 1979, a group of Māori activists, who would come to be known later as He Taua, went to the University of Auckland to confront a group of engineering students who were preparing for… Continue reading Review: The Haka Party Incident – bold, ferocious, essential viewing
A midwinter restrospective for springtime: Erin Harrington reviews Ka Noho, Ka Mate, presented in the Great Hall as part of the Te Matatiki Toi Ora Arts Centre Matariki Festival, 14 July 2023. The Matariki performance (or gig? or lamentation?) Ka Noho, Ka Mate starts solemnly. Kaiako and rapper Kommi Tamati-Elliffe (Kāi Tahu, Te Ātiawa), producer… Continue reading Review: Ka Noho, Ka Mate – a journey in and out of grief that reminds us everything is here
Erin Harrington reviews We've Got So Much to Talk About, created and performed by Sally Stockwell, directed by Julia Harvie, at Lyttelton Arts Factory, 20 October 2023. Sally Stockwell’s excellent We’ve Got So Much to Talk About is one-woman multidisciplinary tour de force that grabs tightly onto the messiness of motherhood and maternal identity and… Continue reading Review: We’ve Got So Much to Talk About – a vital, defiant show about motherhood and identity
Erin Harrington reviews Dance Nation, written by Clare Barron, directed by Alison Walls, at the Court Theatre, Saturday 23 September 2023. The Court Theatre’s fierce production of Clare Barron’s 2018 play Dance Nation invites superlatives. The show, as directed by Court Theatre AD Alison Walls, offers us a bonkers, vulgar, hilarious, vulnerable take on A… Continue reading Review: Dance Nation – a banger of a play about fierce and feral girlhood
Erin Harrington reviews CLAS103: Greek Mythology, performed by Vincent Andrew-Scammell, and co-directed by Lucy Dawber, at Little Andromeda, Thursday 7 September 2023. There’s a moment quite early on in the semi-improvised show CLAS103: Greek Mythology where actor Vincent Andrew-Scammell, wearing a ridiculous bed-sheet toga and giving a flirtatious take on Greek god Hermes, mimes handing… Continue reading Review: CLAS103 Greek Mythology – a madcap romp through antiquity
Naomi van den Broek reviews Bluebeard's Castle, by Béla Bartók and Béla Balázs, as reimagined by Theatre of Sound, presented by New Zealand Opera and the New Zealand Symphony Orchestra, at the Christchurch Town Hall, Saturday 12 August 2023. Image credits: Latitude Creative. Bluebeard’s Castle, presented in collaboration by the New Zealand Symphony Orchestra (NZSO)… Continue reading Review: Bluebeard’s Castle – close to perfection
Erin Harrington reviews The Appleton Ladies' Potato Race, by Melanie Tait and directed by Anthea Williams, at The Court Theatre, Tuesday 8 August, 2023. In a review some years ago I described a show’s comedy and appeal as ‘broad’, and someone involved in the production got exceptionally cross with me. I meant it in our… Continue reading Review: The Appleton Ladies’ Potato Race – rural social mores get mashed
Erin Harrington reviews Indian Ink's touring production of Dirty Work at the Isaac Theatre Royal, Friday 28 July 2023. Can you make art about the cyclical drudgery of office work – or, perhaps, most work – that isn’t fundamentally dystopian? Indian Ink’s charming production Dirty Work: Ode to Joy, which is set in the New… Continue reading Review: Dirty Work – finding joy in the absurd
Flat City Field Notes 