Chris Archer reviews Noteworthy: Celebrating 150 Years of University of Canterbury, presented by the Christchurch Symphony Orchestra in conjunction with UC, conducted by Mark Menzies, MCed by Oscar Days and Alexandra Watson, Saturday 26 August 2023 at the Christchurch Town Hall. This concert, described by one of the UC student MCs as a ‘concert featuring… Continue reading Review: Noteworthy – 150 Years of UC – a celebratory smorgasbord of music
Author: erinharringtonnz
Review: Bluebeard’s Castle – close to perfection
Naomi van den Broek reviews Bluebeard's Castle, by Béla Bartók and Béla Balázs, as reimagined by Theatre of Sound, presented by New Zealand Opera and the New Zealand Symphony Orchestra, at the Christchurch Town Hall, Saturday 12 August 2023. Image credits: Latitude Creative. Bluebeard’s Castle, presented in collaboration by the New Zealand Symphony Orchestra (NZSO)… Continue reading Review: Bluebeard’s Castle – close to perfection
Review: The Appleton Ladies’ Potato Race – rural social mores get mashed
Erin Harrington reviews The Appleton Ladies' Potato Race, by Melanie Tait and directed by Anthea Williams, at The Court Theatre, Tuesday 8 August, 2023. In a review some years ago I described a show’s comedy and appeal as ‘broad’, and someone involved in the production got exceptionally cross with me. I meant it in our… Continue reading Review: The Appleton Ladies’ Potato Race – rural social mores get mashed
Review: Dirty Work – finding joy in the absurd
Erin Harrington reviews Indian Ink's touring production of Dirty Work at the Isaac Theatre Royal, Friday 28 July 2023. Can you make art about the cyclical drudgery of office work – or, perhaps, most work – that isn’t fundamentally dystopian? Indian Ink’s charming production Dirty Work: Ode to Joy, which is set in the New… Continue reading Review: Dirty Work – finding joy in the absurd
Review: Murder! At the Hotel Bon – madcap Hollywood hijinks
Erin Harrington reviews Murder! At the Hotel Bon, directed by Georgie Sivier and Kat Forrester for Play Space Productions, at Riccarton House, Wednesday 26 July 2023. Play Space Productions’ immersive comedy Murder! At the Hotel Le Bon marries late 1940s Hollywood glamour with Hollywood squalor, as we – a group of film investors turned detectives… Continue reading Review: Murder! At the Hotel Bon – madcap Hollywood hijinks
Review: Matariki Around the World – musicial storytelling about the things that connect us
Erin Harrington reviews the Christchurch Symphony Orchestra's concert Matariki Around the World, led by creative director Juanita Hepi and conductor Nathaniel Griffiths, at the James Hay Auditorium, Wednesday 5 July 2023. There is something very moving about the way that Matariki is being enthusiastically embraced on a national scale as something unique to this place,… Continue reading Review: Matariki Around the World – musicial storytelling about the things that connect us
Review: Next To Normal – a demanding production about mental illness, family and connection
Naomi van den Broek reviews Next To Normal, music by Ton Kitt, book and lyrics by Brian Yorkey, directed by Hayden Tee, with musical direction by Richard Marrett, at the Court Theatre, 17 June 2023. Pulitzer Prize and Tony Award-winning pop/rock musical Next To Normal is a show centered on a woman’s struggle with, and… Continue reading Review: Next To Normal – a demanding production about mental illness, family and connection
Review: The Good, the Bad and the Completely Made-Up – a hilarious solo improvised Western
Erin Harrington reviews The Good, The Bad, and The Completely Made Up, directed by Brendon Bennetts, at Little Andromeda, 2 June 2023. In The Good, The Bad, and The Completely Made Up, Rhiannon McCall improvises a terrific hour-long comedy Western in which she out-shoots John Wayne, out-squints Clint Eastwood, and outwits the combined cast of… Continue reading Review: The Good, the Bad and the Completely Made-Up – a hilarious solo improvised Western
Review: Appropriate – a provocative dark comedy about the meaning of inheritance
Erin Harrington reviews Appropriate, written by Branden Jacobs-Jenkins directed by Nathaniel Lees, at the Court Theatre, 6 May 2023. The acclaimed American dark comedy Appropriate starts in the massive living room of a decrepit Arkansas plantation house. It’s still, night, the atmosphere oppressive. The light changes almost imperceptibly through the oversized windows as the cicadas’… Continue reading Review: Appropriate – a provocative dark comedy about the meaning of inheritance
Review: Colour Me Cecily – a promising show in need of more colour
Naomi van den Broek reviews Colour Me Cecily at Little Andromeda, 20 April 2023. In the 1980s my mother, fresh from the breakup of the parental marriage, did what many women in her situation did. She looked for a career that could work around full-time parenting - particularly something that allowed her control over her… Continue reading Review: Colour Me Cecily – a promising show in need of more colour









