Arts and culture in Ōtautahi Christchurch
Erin Harrington reviews Selene, written and created by Alexander Wright and Phil Clive Grainger for Wright&Grainger, made with and told by Megan Drury, in association Theatre@41 Monkgate, with tour assistance from A Mulled Whine Productions, at Little Andromeda, Tuesday 24 March 2026. There are different ways to have a moving and intense theatrical encounter. Sometimes… Continue reading Review: Selene – intense, intimate storytelling balancing darkness and light
Roving FCFN reporter John Armstrong heads south and reflects on some highlights from the Dunedin Fringe Festival, which ran from 12 - 22 March 2026. Dunedin Fringe has sadly come to an end. Yesterday marked the end of an incredible eleven days of stand-up, theatre, sketch comedy and live music, with morethan ninety shows all… Continue reading Wrap up: Dunedin Fringe is a chaotic and ambitious festival with incredible DIY energy
Charlotte Thornton reviews Motion Sickness, presented by a2 Company, at Little Andromeda, Friday 20 March 2026. Aussie-New Zealand production house a2 Company can’t help but blow us away. When I reviewed their multi-award-winning Running Into the Sun for Bad Apple back in September, I said that show had “an apocalyptic vibe because the world has… Continue reading Review: Motion Sickness – the nightclub at the end of the world
Steph Walker reviews the first night of Electric Bodies, presented by Performance Art Week Aotearoa and TINYFEST, at the Cloiters Studio, Te Matatiki Toi Ora The Arts Centre, Friday 13 March 2026. Performance Art is one of those forms that a lot of people haven’t actually seen, but probably have a view on. Like contemporary… Continue reading Review: Electric Bodies – eclectic performance works exploring body and sound
Erin Harrington reviews Feeling Afraid as if Something Terrible is Going to Happen, written by Marcelo Dos Santos, directed by Tim Bain, at the Court Theatre, Saturday 14 March 2026. The one-man show Feeling Afraid as if Something Terrible is Going to Happen is a one act black comedy framed as a stand-up set that’s… Continue reading Review: Feeling Afraid as if Something Terrible is Going to Happen – self-loathing, vulnerability, and debasement, but for laughs
Karen Healey reviews Someone In This Crowd Will Betray Me: A Reuben Solo Mystery, at Little Andromeda, Thursday 12 March 2026. Australian comedian Reuben Solo’s kinetic, surrealistic stand-up show is a truth within a lie within an existential crisis that’s no less affecting for also being (maybe?) entirely performative. It starts with the setting. We… Continue reading Review: Someone In This Crowd Will Betray Me – A Reuben Solo Mystery – a kinetic and surreal search for the truth (but what is truth actually?)
Charlotte Thornton reviews The Gigantic Gay Late Night Game Show, at the Court Theatre, Saturday 8 March 2026. The Gigantic Gay Late Night Game Show is the rowdiest entry in the Court Theatre’s 2026 Rainbow Festival calendar. In an interview with Flat City Field Notes back in February, Festival organiser Tim Bain said the 2026… Continue reading Review: The Gigantic Gay Late Night Game Show – a winning format with a winning audience
Ruth Agnew reviews Hugo's Rainbow Show, presented as part of the Rainbow Theatre Festival, at the Court Theatre, Saturday 7 March 2026. Hear me out: let’s bring back a dedicated hour of news at 6pm every night, where entire households gather in their lounge rooms to catch up on the day’s events, except there’s no… Continue reading Review: Hugo’s Rainbow Show – the forecast is magical
Erin Harrington reviews The Night Ali Died, presented by Raising Cain Productions, at Little Andromeda, Friday 6 March 2026. British performer Chris Sainton-Clark’s crime thriller The Night Ali Died is an absorbing piece of solo theatre that combines sharp storytelling and cinematic tropes in a very satisfying way. Ali is just some late-20s guy from… Continue reading Review: The Night Ali Died – a compelling, cinematic crime thriller about a very bad night
Erin Harrington reviews The Importance of Being Earnest, by Oscar Wilde, directed by Kathleen Burns, at the Stewart Family Theatre at the Court Theatre, Saturday 21 February, 2026. The first mainstage show of the Court Theatre’s 2026 season sets a very high bar for the year. Oscar Wilde’s 1895 play The Importance of Being Earnest,… Continue reading Review: The Importance of Being Earnest – a sparkling production that’s very serious about being silly
Flat City Field Notes 