Arts and culture in Ōtautahi Christchurch
Erin Harrington reviews The End of the Golden Weather, written by Bruce Mason and in a company version by Raymond Hawthorne, directed by Lara Macgregor, at the Court Theatre, Saturday 3 May 2025. The opening night of The End of the Golden Weather, the first production in The Court Theatre’s new purpose built central city… Continue reading Review: The End of the Golden Weather – engrossing, gentle storytelling that welcomes you to the new theatre
Erin Harrington reviews Grifted and Talented with Jim Fishwick, presented by Jetpack Theatre, at Little Andromeda, Friday 11 April 2025. Multi-hyphenate creative and improvisor Jim Fishwick knows how to get the best out of performers. Their new improv? performance? comedy? humiliation? show format Grifted and Talented (a title both great and triggering) is a clever… Continue reading Review: Grifted and Talented – a hilarious game show that pits talent against treachery
Erin Harrington reviews The Snow, presented by Wintergreen Creative, at Little Andromeda, Friday 11 April 2025. The small village of Kishka is cut off from the world, and its neighbouring rival town, by an impenetrable wall of snow, and things are getting dire. Various committees of blathering adults are unable to find a solution, but… Continue reading Review: The Snow – a charming and absurd family-friendly fable about connection
Lisa Allan reviews MAMIL 2: GOMIL - Grumpy Old Man in Lycra, performed by Mark Hadlow, written and directed by Gregory Cooper, presented by The Professional Theatre Company at the Isaac Theatre Royal, Monday 10 February, 2025. The Isaac Theatre Royal invites us onto the stage to be seated for the latest Gregory Cooper /… Continue reading Review – MAMIL 2: GOMIL (Grumpy Old Man in Lycra) – A grumpy old class act
Lisa Allan reviews Rise of the Olive, presented by Laser Kiwi as part of the World Buskers Festival, at Altiora, Te Matatiki Toi Ora The Arts Centre, Wednesday 29 January, 2025. I am seated at Altiora for the second time today, marvelling at how quickly the hard-working crew has transformed the stage and audience set up. Laser… Continue reading Review: Rise of the Kiwi – stunning, comedic circus theatre that soars
Erin Harrington reviews The Messy Magic Adventure, presented by Rollicking Entertainment for the World Busters Festival at Altiora, Te Matatiki Toi Ora The Arts Centre, Monday 27 January, 2025. In The Messy Magic Adventure, presented as part of this year’s World Buskers Festival, we join cheerful, clown-like cleaners Spray and Wipe on what appears (at… Continue reading Review: The Messy Magic Adventure – a masterclass in family entertainment
Naomi van den Broek reviews Two Girls One Gun, created and performed by Comedy Gold, at The Great Hall, Te Matatiki Toi Ora The Arts Centre, as part of the World Buskers Festival, Friday 24 January, 2025. Comedy Gold describe their work as ‘genre bending’, and I think it’s an entirely apt description of what… Continue reading Review: Two Girls One Gun – a top-tier spy parody in the wrong place at the right time
Erin Harrington reviews the Anthony Harper Summer Season of The Complete Voyage of the RMS Titanic (in 90 Minutes), produced by Rollicking Entertainment, performed outdoors at the Archery Lawn, Christchurch Botanic Gardens, Friday 10 January 2025. For more than two decades summer theatre in the Botanic Gardens, supported by MVP sponsors Anthony Harper, has taken… Continue reading Review: The Complete Voyage of the RMS Titanic (in 90 Minutes) – Disaster? I hardly know her!
Ruth Agnew reviews O Little Town of Beckenham, written by Greg Cooper, directed by Dan Bain, at Little Andromeda, Thursday 5 December 2024. Little Andromeda’s annual Christmas show has become something of a tradition for Ōtautahi audiences, and this year, Little A has gone one step further in spreading festive cheer by shifting Christmas to… Continue reading Review: O Little Town of Beckenham – an unashamedly hammy Christmas cracker
Erin Harrington talks with Brendon Bennetts, the creator / producer / co-Dungeon Master of Dungeons and Comedians, about the show’s development and production, and what’s special (and challenging) about producing a live, improvised theatrical actual play series in the era of digital content. D&C has been running since 2018, and live recordings are also available… Continue reading Interview: Brendon Bennetts on developing Dungeons and Comedians
Flat City Field Notes 