Interview: Lizzie Tollemache on making neurospicy theatre

A cutout image of two women in black and white, one with a microphone and script, the other looking very surprised, on a hot pink background.

Erin Harrington chats with Lizzie Tollemache through the wonders of the internet about their new performance work, on why sharing (in rehearsals) is caring, and how Creative NZ can learn something from defence lawyers. Lizzie's show The NeuroSpice Girls is particularly interesting for the way that it’s looking to challenge traditional approaches in its creation,… Continue reading Interview: Lizzie Tollemache on making neurospicy theatre

Review: Le Comte Ory – a joyful, very funny localisation that scores big

Steph Walker reviews Gioachino Rossini's Le comte Ory, presented by NZ Opera with the Christchurch Symphony Orchestra, directed by Simon Philips and conducted by Brad Cohen, at the Isaac Theatre Royal, Thursday 27 June, 2024. Rossini’s Le comte Ory. As an arts lover but opera casual I wasn’t super familiar with it, but Rossini’s famous… Continue reading Review: Le Comte Ory – a joyful, very funny localisation that scores big

Review: Dirty Work – finding joy in the absurd

Erin Harrington reviews Indian Ink's touring production of Dirty Work at the Isaac Theatre Royal, Friday 28 July 2023. Can you make art about the cyclical drudgery of office work – or, perhaps, most work – that isn’t fundamentally dystopian? Indian Ink’s charming production Dirty Work: Ode to Joy, which is set in the New… Continue reading Review: Dirty Work – finding joy in the absurd