Review: A Doll’s House – a realist classic, stunningly designed

Erin Harrington reviews A Doll’s House, written by Henrik Ibsen, translated by Christopher Hampton, directed by Melanie Luckman, at the Court Theatre, Saturday 12 October 2024. Norwegian playwright Henrik Ibsen’s A Doll’s House is a classic piece of realist theatre, one that’s interested in exploring the nuances of human behaviour in a manner free from… Continue reading Review: A Doll’s House – a realist classic, stunningly designed

Review: Paradise, or the Impermanence of Ice Cream – a remarkable play about ambition, friendship, survival, and vultures

Erin Harrington reviews Paradise, or the Impermanence of Ice Cream, written by Jacob Rajan and Justin Lewis, directed by Lewis, presented by Indian Ink, at the Court Theatre, Thursday 19 September 2024. It says a great deal about beloved theatre company Indian Ink that the packed opening night audience of Paradise, or the Impermanence of… Continue reading Review: Paradise, or the Impermanence of Ice Cream – a remarkable play about ambition, friendship, survival, and vultures

Review: Fun Home – a musical about memory, grief and sexuality that’s dead funny

Erin Harrington reviews Fun Home, music by Jeanine Tesori, book and lyrics by Lisa Kron, directed by Kathleen Burns, with musical direction from Caelan Thomas, at the Court Theatre, Saturday 10 August 2024. The Tony award-winning one act musical Fun Home is adapted from cartoonist Alison Bechdel’s beloved 2006 graphic memoir, which explores her childhood… Continue reading Review: Fun Home – a musical about memory, grief and sexuality that’s dead funny

Review: Mr and Mrs Macbeth of Heathcote Valley Road – an uneven backstage comedy about on and offstage disaster

Erin Harrington reviews Mr and Mrs Macbeth of Heathcote Valley Road, written and directed by Gregory Cooper, at the Court Theatre, Saturday 18 May, 2024. In writer-director Gregory Cooper’s energetic new comedy Mr and Mrs Macbeth of Heathcote Valley Road it’s backstage on the opening night of a high stakes national tour of the Scottish… Continue reading Review: Mr and Mrs Macbeth of Heathcote Valley Road – an uneven backstage comedy about on and offstage disaster

Review: Every Brilliant Thing – an intense collective experience about hope and imagination

Erin Harrington reviews Every Brilliant Thing, written by Duncan Macmillan with Jonny Donahoe, directed by Hillary Moulder, at the Court Theatre, Friday 6 April 2024. A content note to start: is it okay to call an interactive play about depression and suicide joyful? UK playwright Duncan Macmillan’s Every Brilliant Thing is a river of concentrated… Continue reading Review: Every Brilliant Thing – an intense collective experience about hope and imagination

Review: Agatha Christie’s Murder on the Orient Express – a stylish, engrossing murder mystery

Erin Harrington reviews Agatha Christie’s Murder on the Orient Express¸ adapted by Ken Ludwig, directed by Dan Bain, at the Court Theatre, Saturday 2 March 2024. The Court Theatre is entering its final year in the Shed in Addington before it shifts into its new premises in the central city’s Performing Arts Precinct. Director Dan… Continue reading Review: Agatha Christie’s Murder on the Orient Express – a stylish, engrossing murder mystery

Review: Something Rotten! – a boisterous, witty musical that’s anything but

Erin Harrington reviews Something Rotten! book by Karey Kirkpatrick and John O’Farrell, music and lyrics by Wayne Kirkpatrick and Karey Kirkpatrick, directed by Benjamin Kilby-Henson, with musical direction by Richard Marrett, at the Court Theatre, Saturday 25 November 2023. The Court Theatre has a long tradition of presenting big budget summer musicals that seek to… Continue reading Review: Something Rotten! – a boisterous, witty musical that’s anything but

Review: The Haka Party Incident – bold, ferocious, essential viewing

Erin Harrington reviews The Haka Party Incident, written and directed by Katie Wolfe, at The Court Theatre, Friday 27 October 2023. In 1979, a group of Māori activists, who would come to be known later as He Taua, went to the University of Auckland to confront a group of engineering students who were preparing for… Continue reading Review: The Haka Party Incident – bold, ferocious, essential viewing

Review: Dance Nation – a banger of a play about fierce and feral girlhood

Erin Harrington reviews Dance Nation, written by Clare Barron, directed by Alison Walls, at the Court Theatre, Saturday 23 September 2023. The Court Theatre’s fierce production of Clare Barron’s 2018 play Dance Nation invites superlatives. The show, as directed by Court Theatre AD Alison Walls, offers us a bonkers, vulgar, hilarious, vulnerable take on A… Continue reading Review: Dance Nation – a banger of a play about fierce and feral girlhood

Review: The Appleton Ladies’ Potato Race – rural social mores get mashed

Erin Harrington reviews The Appleton Ladies' Potato Race, by Melanie Tait and directed by Anthea Williams, at The Court Theatre, Tuesday 8 August, 2023. In a review some years ago I described a show’s comedy and appeal as ‘broad’, and someone involved in the production got exceptionally cross with me. I meant it in our… Continue reading Review: The Appleton Ladies’ Potato Race – rural social mores get mashed