Arts and culture in Ōtautahi Christchurch
Erin Harrington reviews Twelfth Night, by William Shakespeare, directed by Alison Walls, at the Court Theatre, Saturday 9 August 2025. The Court Theatre’s production of the evergreen romantic comedy Twelfth Night brings the audience into a dreamy ‘elsewhere’ in which mistaken identity, unrequited love and comic nonsense get all muddled up. A young noblewoman Viola… Continue reading Review: Twelfth Night – strong characterisation and comic action anchor a hazy production
Ruth Agnew reviews Kōpū, written by Tuakoi Ohia, directed by Amber Curreen with musical direction from John Gibson, produced by Te Rehia Theatre and staged at the Court Theatre, Thursday 17 July 2025. Unpeg yourself from the patriarchy! Kōpū begins with the instruction to “leave your white feminism at the door”, and with that baggage… Continue reading Review: Kōpū – a fierce, impressive celebration of femininity
Erin Harrington reviews The SpongeBob Musical: Youth Edition, based on the series by Stephen Hillenburg, book by Kyle Jarrow, directed by Tim Bain, with musical direction by Caelen Thomas and choreography by Hillary Moulder, at the Court Theatre, Wednesday 2 July, 2025. The SpongeBob Musical: Youth Edition is the Court Theatre’s first school holiday production… Continue reading Review: The SpongeBob Musical: Youth Edition – a delightfully unhinged glitter bomb
Erin Harrington reviews End of Summer Time, written by Sir Roger Hall, directed by Dan Bain, and starring Ross Gumbley, at the Court Theatre, Saturday 21 June 2025. Sir Roger Hall’s latest play End of Summer Time revisits curmudgeon Richard ‘Dickie’ Hart, an ex-cow cockie who finds himself, deep into retirement, living with his wife… Continue reading Review: End of Summer Time – melancholy, funny, and compassionate
Juanita Hepi responds to Black Faggot, written by Victor Rodger, directed by Anapela Polata'ivao, at the Court Theatre, Saturday 17 May, 2025. This is not a review. For a review, go here — and interestingly, the ‘a’ in Faggot is replaced with an ‘*’. Attending the opening night of Black Faggot at the Court Theatre,… Continue reading ‘Cracker wants a Poly’, or, The Adventures of Sione: a response to the power and complexity of Black Faggot
Erin Harrington reviews The End of the Golden Weather, written by Bruce Mason and in a company version by Raymond Hawthorne, directed by Lara Macgregor, at the Court Theatre, Saturday 3 May 2025. The opening night of The End of the Golden Weather, the first production in The Court Theatre’s new purpose built central city… Continue reading Review: The End of the Golden Weather – engrossing, gentle storytelling that welcomes you to the new theatre
Erin Harrington reviews Strictly Ballroom The Musical, created by Baz Luhrmann, directed by Benjamin Kilby-Henson, with musical direction by Richard Marrett, at the Court Theatre, Saturday 23 November 2024. Summer musical Strictly Ballroom is the Court Theatre’s final mainstage production before it shifts to its new central city premises. It’s designed (in every element of… Continue reading Review: Strictly Ballroom – a camp, glitzy goodbye
Erin Harrington talks with the Artistic Director of The Court Theatre, Alison Walls, about the release of the theatre's 2025 programme - the first that will be staged in the organisation’s new home in the Performing Arts Precinct. Kia ora Alison - congratulations on the launch of the 2025 programme. How has it gone? Thank… Continue reading Interview: Alison Walls on programming the Court Theatre’s new season
Erin Harrington reviews A Doll’s House, written by Henrik Ibsen, translated by Christopher Hampton, directed by Melanie Luckman, at the Court Theatre, Saturday 12 October 2024. Norwegian playwright Henrik Ibsen’s A Doll’s House is a classic piece of realist theatre, one that’s interested in exploring the nuances of human behaviour in a manner free from… Continue reading Review: A Doll’s House – a realist classic, stunningly designed
Erin Harrington reviews Paradise, or the Impermanence of Ice Cream, written by Jacob Rajan and Justin Lewis, directed by Lewis, presented by Indian Ink, at the Court Theatre, Thursday 19 September 2024. It says a great deal about beloved theatre company Indian Ink that the packed opening night audience of Paradise, or the Impermanence of… Continue reading Review: Paradise, or the Impermanence of Ice Cream – a remarkable play about ambition, friendship, survival, and vultures
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