Arts and culture in Ōtautahi Christchurch
Erin Harrington reviews End of Summer Time, written by Sir Roger Hall, directed by Dan Bain, and starring Ross Gumbley, at the Court Theatre, Saturday 21 June 2025. Sir Roger Hall’s latest play End of Summer Time revisits curmudgeon Richard ‘Dickie’ Hart, an ex-cow cockie who finds himself, deep into retirement, living with his wife… Continue reading Review: End of Summer Time – melancholy, funny, and compassionate
Juanita Hepi responds to Black Faggot, written by Victor Rodger, directed by Anapela Polata'ivao, at the Court Theatre, Saturday 17 May, 2025. This is not a review. For a review, go here — and interestingly, the ‘a’ in Faggot is replaced with an ‘*’. Attending the opening night of Black Faggot at the Court Theatre,… Continue reading ‘Cracker wants a Poly’, or, The Adventures of Sione: a response to the power and complexity of Black Faggot
Erin Harrington reviews The End of the Golden Weather, written by Bruce Mason and in a company version by Raymond Hawthorne, directed by Lara Macgregor, at the Court Theatre, Saturday 3 May 2025. The opening night of The End of the Golden Weather, the first production in The Court Theatre’s new purpose built central city… Continue reading Review: The End of the Golden Weather – engrossing, gentle storytelling that welcomes you to the new theatre
Erin Harrington reviews Strictly Ballroom The Musical, created by Baz Luhrmann, directed by Benjamin Kilby-Henson, with musical direction by Richard Marrett, at the Court Theatre, Saturday 23 November 2024. Summer musical Strictly Ballroom is the Court Theatre’s final mainstage production before it shifts to its new central city premises. It’s designed (in every element of… Continue reading Review: Strictly Ballroom – a camp, glitzy goodbye
Erin Harrington talks with the Artistic Director of The Court Theatre, Alison Walls, about the release of the theatre's 2025 programme - the first that will be staged in the organisation’s new home in the Performing Arts Precinct. Kia ora Alison - congratulations on the launch of the 2025 programme. How has it gone? Thank… Continue reading Interview: Alison Walls on programming the Court Theatre’s new season
Erin Harrington reviews A Doll’s House, written by Henrik Ibsen, translated by Christopher Hampton, directed by Melanie Luckman, at the Court Theatre, Saturday 12 October 2024. Norwegian playwright Henrik Ibsen’s A Doll’s House is a classic piece of realist theatre, one that’s interested in exploring the nuances of human behaviour in a manner free from… Continue reading Review: A Doll’s House – a realist classic, stunningly designed
Erin Harrington reviews Paradise, or the Impermanence of Ice Cream, written by Jacob Rajan and Justin Lewis, directed by Lewis, presented by Indian Ink, at the Court Theatre, Thursday 19 September 2024. It says a great deal about beloved theatre company Indian Ink that the packed opening night audience of Paradise, or the Impermanence of… Continue reading Review: Paradise, or the Impermanence of Ice Cream – a remarkable play about ambition, friendship, survival, and vultures
Erin Harrington reviews Fun Home, music by Jeanine Tesori, book and lyrics by Lisa Kron, directed by Kathleen Burns, with musical direction from Caelan Thomas, at the Court Theatre, Saturday 10 August 2024. The Tony award-winning one act musical Fun Home is adapted from cartoonist Alison Bechdel’s beloved 2006 graphic memoir, which explores her childhood… Continue reading Review: Fun Home – a musical about memory, grief and sexuality that’s dead funny
Erin Harrington reviews Mr and Mrs Macbeth of Heathcote Valley Road, written and directed by Gregory Cooper, at the Court Theatre, Saturday 18 May, 2024. In writer-director Gregory Cooper’s energetic new comedy Mr and Mrs Macbeth of Heathcote Valley Road it’s backstage on the opening night of a high stakes national tour of the Scottish… Continue reading Review: Mr and Mrs Macbeth of Heathcote Valley Road – an uneven backstage comedy about on and offstage disaster
Erin Harrington reviews Every Brilliant Thing, written by Duncan Macmillan with Jonny Donahoe, directed by Hillary Moulder, at the Court Theatre, Friday 6 April 2024. A content note to start: is it okay to call an interactive play about depression and suicide joyful? UK playwright Duncan Macmillan’s Every Brilliant Thing is a river of concentrated… Continue reading Review: Every Brilliant Thing – an intense collective experience about hope and imagination
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