Arts and culture in Ōtautahi Christchurch
Erin Harrington reviews Twelfth Night, by William Shakespeare, directed by Alison Walls, at the Court Theatre, Saturday 9 August 2025. The Court Theatre’s production of the evergreen romantic comedy Twelfth Night brings the audience into a dreamy ‘elsewhere’ in which mistaken identity, unrequited love and comic nonsense get all muddled up. A young noblewoman Viola… Continue reading Review: Twelfth Night – strong characterisation and comic action anchor a hazy production
Erin Harrington reviews The Ballad of Briar Grant, written by Jack McGee, directed by Lia Kelly, presented by Squash Co Arts Collection, at Little Andromeda, Wednesday 6 August 2025. In Jack McGee’s new play The Ballad of Briar Grant, Hayley (Phoebe Caldeiro) finds herself working in an apple orchard in the south of France after… Continue reading Review: The Ballad of Briar Grant – how do you like them apples?
Lisa Allan reviews Rubber Gloves: The Glad Rags Story, written by Jennifer Currie, at Little Andromeda, Friday 18 July, 2025. The stage at Little Andromeda in Ōtautahi Christchurch is awash with colour in the form of costumes and props and it is not long before the house lights dim and the two-strong cast of Rubber Gloves: The Glad… Continue reading Review: Rubber Gloves – the Glad Rags Story – bold and silly playfulness from the best cleaners around
Ruth Agnew reviews Kōpū, written by Tuakoi Ohia, directed by Amber Curreen with musical direction from John Gibson, produced by Te Rehia Theatre and staged at the Court Theatre, Thursday 17 July 2025. Unpeg yourself from the patriarchy! Kōpū begins with the instruction to “leave your white feminism at the door”, and with that baggage… Continue reading Review: Kōpū – a fierce, impressive celebration of femininity
Lisa Allan reviews The Meeting, by Lola Houghton and Pedro Ilgenfritz, and E Ipo, My Love, by Gisele Proud and Tane Te Pakeke-Patterson, presented together as the inaugural Winter Season, a double bill of new theatre works from the Hagley Theatre School Six-Month Theatre Creation Course, at the Gloucester Room, the Issac Theatre Royal, Friday… Continue reading Review: Winter Season (The Meeting / E Ipo, My Love) – vibrant and relevant new theatre works
Erin Harrington reviews End of Summer Time, written by Sir Roger Hall, directed by Dan Bain, and starring Ross Gumbley, at the Court Theatre, Saturday 21 June 2025. Sir Roger Hall’s latest play End of Summer Time revisits curmudgeon Richard ‘Dickie’ Hart, an ex-cow cockie who finds himself, deep into retirement, living with his wife… Continue reading Review: End of Summer Time – melancholy, funny, and compassionate
Erin Harrington reviews Coro, presented by Mon Platon Productions at Little Andromeda, Friday 13 June, 2025. Coming into the comedy show Coro I’m clearly one of a handful of audience members who’ve never seen a full episode of Coronation Street. Growing up, the woeful wail of the cornet in the show’s opening theme would trigger… Continue reading Review: Coro – a terrific comic homage to the iconic soap opera
Lisa Allan reviews Bundle Baby, presented by Cubbin Theatre, at the Cloisters Theatre, The Arts Centre Te Matatiki Toi Ora, Thursday 5 June 2025. Ōtautahi-based Cubbin Theatre specialises in creating experiences for the youngest members of our society. Their latest show, Bundle Baby, is pitched specifically at those who are just eight months to two… Continue reading Review: Bundle Baby – gentle, imaginative and uplifting play for the youngest of audiences
Juanita Hepi responds to Black Faggot, written by Victor Rodger, directed by Anapela Polata'ivao, at the Court Theatre, Saturday 17 May, 2025. This is not a review. For a review, go here — and interestingly, the ‘a’ in Faggot is replaced with an ‘*’. Attending the opening night of Black Faggot at the Court Theatre,… Continue reading ‘Cracker wants a Poly’, or, The Adventures of Sione: a response to the power and complexity of Black Faggot
Lisa Allan reviews The Cat Eleonore, by Caren Jess, translated and directed by Peter Falkenberg for Free Theatre, at the Climate Action Campus, Wednesday 7 May 2025. It is a brisk night and Avonside’s Climate Action Campus is mostly dark, creating a sense of adventure as my theatre-mate and I seek out the Free Theatre’s performance space… Continue reading Review: The Cat Eleonore – an elegant meditation on the failures of humanity, and the joy of being a cat
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