Arts and culture in Ōtautahi Christchurch
Erin Harrington reviews Twelfth Night, by William Shakespeare, directed by Alison Walls, at the Court Theatre, Saturday 9 August 2025. The Court Theatre’s production of the evergreen romantic comedy Twelfth Night brings the audience into a dreamy ‘elsewhere’ in which mistaken identity, unrequited love and comic nonsense get all muddled up. A young noblewoman Viola… Continue reading Review: Twelfth Night – strong characterisation and comic action anchor a hazy production
Claudia & Nathaniel Herz Jardine, in conversation, review William Shakespeare's Julius Caesar, directed by Khalil Qualls at Cloisters Studio in Te Matatiki Toi Ora The Arts Centre, Tuesday 20 August 2024. Claudia: JMO Theatrics’ production of William Shakespeare’s Julius Caesar may be the most political play you see this year. Yes, it contains factions and… Continue reading Review: Julius Caesar – a gripping political two-hander
Erin Harrington reviews The Tempestuous: A Shrew'd New Comedy by Will Shakespeare and Penny Ashton, at Lyttelton Arts Factory, 9 August 2024. Surely at some point we get to call Penny Ashton a national treasure? Her terrific new one-woman musical comedy The Tempestuous, co-written with one W. Shakespeare, certainly reiterates that she’s one of the… Continue reading Review: The Tempestuous – hot pink comedy meets the Bard’s best bits
Erin Harrington reviews The Barden Party's touring production of A Midsummer Night's Dream, performed at a private residence in Swannanoa, North Canterbury, 2 April 2022. A Midsummer Night’s Dream is one of those rare works that is pretty much smashproof. It doesn’t matter if it’s performed by intermediate school students or the Royal Shakespeare Company,… Continue reading Review: The Barden Party – magical al fresco Shakespeare in a garden near you
Ruth Agnew reviews Top Dog Theatre Company's production of Twelfth Night at the Isaac Theatre Royal, 12 August 2021. After 17 years of alfresco Elizabethan entertainment at Mona Vale, Top Dog Theatre Company chose the majestic Isaac Theatre Royal as the venue for their first Shakespearean show under the proscenium arch. It seems the move… Continue reading Review: Twelfth Night – the Bard goes bawdy, for better and worse
Flat City Field Notes 